Elise Archias is assistant professor of art history at the University of Illinois, Chicago.
The Concrete Body is a refreshing, original, and beautifully written rethinking of how we should understand performance practices of the 1960s. Elise Archias's reading of adaptation and desire, in particular, may well become the best thing written on Vito Acconci to date. -Eve Meltzer, New York University -- Eve Meltzer In its most thrilling and persuasive moments, The Concrete Body brings together the performance practices under study and other sorts of embodiment, from the sit-ins and marches of the era to the less often noticed forms-the turned backs, the slouched shoulders, the ways in which the sheer weight of the human body makes itself felt to another. -Eve Meltzer, New York University -- Eve Meltzer Archias wisely brings together three important figures from the early history of performance art, revealing how they used the human body to understand the sexual revolution, psychological debates, and even consumer capitalism itself. -Joshua Shannon, University of Maryland -- Joshua Shannon