The Art of the Sister Chapel: Exemplary Women, Visionary Creators, and Feminist Collaboration

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Andrew Hottle

The Art of the Sister Chapel

Exemplary Women, Visionary Creators, and Feminist Collaboration

Andrew Hottle

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English

Routledge
26 August 2016

Art & design styles: from c 1960; Painting & paintings; Religious subjects depicted in art

The Sister Chapel (1974-78) was an important collaborative installation that materialized at the height of the women’s art movement. Conceived as a nonhierarchical, secular commemoration of female role models, The Sister Chapel consisted of an eighteen-foot abstract ceiling that hung above a circular arrangement of eleven monumental canvases, each depicting the standing figure of a heroic woman. The choice of subject was left entirely to the creator of each work. As a result, the paintings formed a visually cohesive group without compromising the individuality of the artists. Contemporary and historical women, deities, and conceptual figures were portrayed by distinguished New York painters-Alice Neel, May Stevens, and Sylvia Sleigh-as well as their accomplished but less prominent colleagues. Among the role models depicted were Artemisia Gentileschi, Frida Kahlo, Betty Friedan, Joan of Arc, and a female incarnation of God. Although last exhibited in 1980, The Sister Chapel has lingered in the minds of art historians who continue to note its significance as an exemplar of feminist collaboration. Based on previously-unpublished archival materials and featuring dozens of rarely-seen works of art, this comprehensive study details the fascinating history of The Sister Chapel, its constituent paintings, and its ambitious creators.

By: Andrew Hottle
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 246mm, Width: 174mm,
Weight: 453g
ISBN: 9781138270190
ISBN 10: 1138270199
Pages: 334
Publication Date: 26 August 2016
Audience: College/higher education , General/trade , Primary , ELT Advanced
Format: Paperback
Publisher's Status: Active

Andrew D. Hottle, Ph.D., is Associate Professor of Art History at Rowan University in Glassboro, New Jersey, USA.

Reviews for The Art of the Sister Chapel: Exemplary Women, Visionary Creators, and Feminist Collaboration

In Sister Chapel, Andrew Hottle rescues from scholarly neglect a major collaborative project of the Feminist Art Movement. Embodying the feminist concept of non-hierarchical sisterhood, thirteen women artists created a stylistically diverse yet cohesive circular environment of female heroes, from a feminine-form God to Betty Friedan and Bella Abzug. Deliberately alluding to the Sistine Chapel, they subtly mocked that icon of masculinist theology and challenged its values from the new perspectives of feminism. Hottle's richly detailed text provides an invaluable historical record, with fascinating exchanges among artists and organizers and energetic documentation of every planning stage of this groundbreaking project. Norma Broude and Mary D. Garrard, editors of The Power of Feminist Art 'Thanks to Hottle, 8 of the 11 original paintings for The Sister Chapel are now part of the permanent collection of art at Rowan University, ensuring that, together with this book, the work will continue to be preserved and studied. Recommended.' Choice