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Sub Pop USA

The Subterranean Pop Music Anthology, 1980-1988

Bruce Pavitt

$75.95   $68.41

Paperback

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English
Bazillion Points
24 November 2014
In 1979, Bruce Pavitt moved from Chicago to Olympia, Washington, and began programming a show called Subterranean Pop on local community radio station KAOS-FM. In 1980, he launched Subterranean Pop magazine, dedicated to the unsung punk, new wave, and experimental regional bands of the Pacific Northwest and Midwest. In 1986, Pavitt put his ideas into practice, launching Sub Pop Records with the historic Sub Pop 100 compilation and Soundgarden's first release, Screaming Life. While the Sub Pop Records legacy is today legendary, his groundwork is collected here for the first time.

By:  
Imprint:   Bazillion Points
Country of Publication:   United States
Dimensions:   Height: 287mm,  Width: 223mm,  Spine: 25mm
Weight:   1.116kg
ISBN:   9781935950110
ISBN 10:   1935950118
Pages:   400
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Bruce Pavitt currently lives on Orcas Island in Washington State. He remains engaged in music by speaking at conferences and festivals, consulting with artists and music labels, and working as a DJ. A true music fan, Bruce continues to study music history in every genre. He is also the author of Experiencing Nirvana: Grunge in Europe, 1989 (Bazillion Points).

Reviews for Sub Pop USA: The Subterranean Pop Music Anthology, 1980-1988

A sometimes furious, always passionate relic of a rich period in American underground culture. NME Awesome Entertainment Weekly A fascinating time capsule of the pre-Internet music industry, and of pre-Amazon/Microsoft Seattle. The Seattle Times Witty, scalding polemics. The Guardian A streamlined goldmine... fiercely indie-minded, ranging in subject from Neo Boys to ESG to Beastie Boys to Metallica. Pitchfork Wonderful... a gloriously immediate entry to the American indie underground of the 80s Classic Rock An amazing, spellbinding artifact, filled with radical ideas that deserve a resurgence. Seattle Weekly Before grunge exploded across the globe, Pavitt s fanzine and his columns for The Rocket were an illuminating source of information about what was happening to independent music during the 1980s. Gathered together in one volume, these reproductions of the original documents read as a vital history of that decade and the energetic, vibrant music that emerged. Edwin Pouncey, The Wire Now collected into a comprehensive volume, these writings document the emergence of a subculture that eventually bubbled up to the surface with the popularity of Nirvana and other grunge bands in the early 1990s. Forbes Buy it for your unattainable coffee-shop crush. Esquire Just as an index of underground bands alone, the book is invaluable. Here, Pavitt tracks small bands from inception to death, celebrating their tiny triumphs and documenting their disasters. He had an eye on it all, and it shows. His words are often the only proper record of many short-lived but amazing bands. St. Louis Riverfront Times Some pre-Internet realness. The Huffington Post For over thirty years Bruce Pavitt has been at the vanguard of popular culture advancing social and artistic trends, ideas, and movements within the community of the innovative and alternative. Kim Thayil, Soundgarden The book reveals connections between seemingly disparate scenes and artists [and shows] that artistic revolutions can come from unlikely places. The Portland Mercury A fascinating firsthand account of an alternative cultural scene rising from its low-rent roots and gradually coming into its own. Wondering Sound You ll be hard pressed to ever find a more comprehensive index of underground 1980 s artists. Alternative Nation If SUB POP USA isn t at the top of your holiday wish list, it should be. KEXP, 90.3 FM Seattle SUB POP USA is essential ephemera for fans of music and the pre-Internet zine days Selectism Few people can lay claim to starting a rock n roll revolution, but Sub Pop Records founder Bruce Pavitt can do just that. Paper Mag Sub Pop is the best index there is of American local independent scenes . . . imaginative and the writing is snappy and descriptive. New Musical Express, 1981 We need diverse, regionalized, localized approaches to all forms of art, music, and politicsthe most intense music, the most original ideas are coming out of scenes you don t even know exist. Tomorrow s pop is being realized today on small decentralized record labels that are interested in taking risks, not making money. Subterranean Pop #1, 1980 Awesome -- Entertainment Weekly A fascinating time capsule of the pre-Internet music industry, and of pre-Amazon/Microsoft Seattle. -- The Seattle Times A streamlined goldmine... fiercely indie-minded, ranging in subject from Neo Boys to ESG to Beastie Boys to Metallica. -- Pitchfork Wonderful... a gloriously immediate entry to the American indie underground of the '80s -- Classic Rock An amazing, spellbinding artifact, filled with radical ideas that deserve a resurgence. -- Seattle Weekly Now collected into a comprehensive volume, these writings document the emergence of a subculture that eventually bubbled up to the surface with the popularity of Nirvana and other grunge bands in the early 1990s. -- Forbes Buy it for your unattainable coffee-shop crush. -- Esquire Some pre-Internet realness. -- The Huffington Post For over thirty years Bruce Pavitt has been at the vanguard of popular culture advancing social and artistic trends, ideas, and movements within the community of the innovative and alternative. --Kim Thayil, Soundgarden The book reveals connections between seemingly disparate scenes and artists... [and shows] that artistic revolutions can come from unlikely places. -- The Portland Mercury A fascinating firsthand account of an alternative cultural scene rising from its low-rent roots and gradually coming into its own. -- Wondering Sound You'll be hard pressed to ever find a more comprehensive index of underground 1980's artists. -- Alternative Nation If SUB POP USA isn't at the top of your holiday wish list, it should be. -- KEXP, 90.3 FM Seattle SUB POP USA is essential ephemera for fans of music and the pre-Internet zine days -- Selectism Few people can lay claim to starting a rock 'n roll revolution, but Sub Pop Records founder Bruce Pavitt can do just that. -- Paper Mag Sub Pop is the best index there is of American local independent scenes . . . imaginative and the writing is snappy and descriptive. -- New Musical Express, 1981 We need diverse, regionalized, localized approaches to all forms of art, music, and politics...the most intense music, the most original ideas are coming out of scenes you don't even know exist. Tomorrow's pop is being realized today on small decentralized record labels that are interested in taking risks, not making money. -- Subterranean Pop #1, 1980 Awesome -- Entertainment Weekly A streamlined goldmine... fiercely indie-minded, ranging in subject from Neo Boys to ESG to Beastie Boys to Metallica. -- Pitchfork Wonderful... a gloriously immediate entry to the American indie underground of the '80s -- Classic Rock An amazing, spellbinding artifact, filled with radical ideas that deserve a resurgence. -- Seattle Weekly Now collected into a comprehensive volume, these writings document the emergence of a subculture that eventually bubbled up to the surface with the popularity of Nirvana and other grunge bands in the early 1990s. -- Forbes For over thirty years Bruce Pavitt has been at the vanguard of popular culture advancing social and artistic trends, ideas, and movements within the community of the innovative and alternative. --Kim Thayil, Soundgarden A fascinating firsthand account of an alternative cultural scene rising from its low-rent roots and gradually coming into its own. -- Wondering Sound SUB POP USA is essential ephemera for fans of music and the pre-Internet zine days -- Selectism Few people can lay claim to starting a rock 'n roll revolution, but Sub Pop Records founder Bruce Pavitt can do just that. -- Paper Mag Sub Pop is the best index there is of American local independent scenes . . . imaginative and the writing is snappy and descriptive. -- New Musical Express, 1981 We need diverse, regionalized, localized approaches to all forms of art, music, and politics...the most intense music, the most original ideas are coming out of scenes you don't even know exist. Tomorrow's pop is being realized today on small decentralized record labels that are interested in taking risks, not making money. -- Subterranean Pop #1, 1980 For over thirty years Bruce Pavitt has been at the vanguard of popular culture advancing social and artistic trends, ideas, and movements within the community of the innovative and alternative. --Kim Thayil, Soundgarden Wonderful... a gloriously immediate entry to the American indie underground of the '80s -- Classic Rock SUB POP USA is essential ephemera for fans of music and the pre-Internet zine days -- Selectism Few people can lay claim to starting a rock 'n roll revolution, but Sub Pop Records founder Bruce Pavitt can do just that. -- Paper Mag Sub Pop is the best index there is of American local independent scenes . . . imaginative and the writing is snappy and descriptive. -- New Musical Express, 1981 We need diverse, regionalized, localized approaches to all forms of art, music, and politics...the most intense music, the most original ideas are coming out of scenes you don't even know exist. Tomorrow's pop is being realized today on small decentralized record labels that are interested in taking risks, not making money. -- Subterranean Pop #1, 1980 Subterranean Pop is a fanzine dedicated to independent recordings from the Northwest and the Midwest. All record reviews are highly prejudiced and reflect the personal tastes of the editor. -- Subterranean Pop #1 Sub Pop is the best index there is of American local independent scenes . . . imaginative and the writing is snappy and descriptive. -- New Musical Express, 1981 For over thirty years Bruce Pavitt has been at the vanguard of popular culture advancing social and artistic trends, ideas, and movements within the community of the innovative and alternative. --Kim Thayil, Soundgarden Few people can lay claim to starting a rock 'n' roll revolution, but Sub Pop Records founder Bruce Pavitt can do just that. -- Paper Mag


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