Studies in English Church Music, 1550-1900

Nicholas Temperley

$294

Hardback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Routledge
28 June 2009

The Arts: General & Reference; Classical music (c 1750 to c 1830); Sacred & religious music; History

Series: Variorum Collected Studies

Nicholas Temperley has pioneered the history of popular church music in England, as expounded in his classic 1979 study, The Music of the English Parish Church; his Hymn Tune Index of 1998; and his magisterial articles in The New Grove. This volume brings together fourteen shorter essays from various journals and symposia, both British and American, that are often hard to find and may be less familiar to many scholars and students in the field.

Here we have studies of how singing in church strayed from artistic control during its neglect in the 16th and 17th centuries, how the vernacular 'fuging tune' of West Gallery choirs grew up, and how individuals like Playford, Croft, Madan, and Stainer set about raising artistic standards. There are also assessments of the part played by charity in the improvement of church music, the effect of the English organ and the reasons why it never inspired anything resembling the German organ chorale, and the origins of congregational psalm chanting in late Georgian York. Whatever the topic, Temperley takes a fresh approach based on careful research, while refusing to adopt artistic or religious preconceptions.

By: Nicholas Temperley
Imprint: Routledge
Country of Publication: United Kingdom
Edition: New edition
Volume: v. 926
Dimensions: Height: 229mm, Width: 152mm, Spine: 224mm
Weight: 453g
ISBN: 9780754659983
ISBN 10: 0754659984
Series: Variorum Collected Studies
Pages: 368
Publication Date: 28 June 2009
Audience: College/higher education , Professional and scholarly , Professional & Vocational , A / AS level , Further / Higher Education
Format: Hardback
Publisher's Status: Active

Nicholas Temperley is Professor Emeritus of Musicology at the University of Illinois at Urbana-Champaign, USA

Reviews for Studies in English Church Music, 1550-1900

'Read this book, even if you have to get it from the library and keep renewing it. It will inspire and inform you because there is so much to learn from it...' West Gallery Newsletter '... a model of scholarship that is at once focused and synoptic... it is good to have these essays [...] available between two covers. Written between 1972 and 2006, they demonstrate just how tenacious Temperley's interest in English church music has been throughout his career. It has been a remarkable career, and any book that makes the scholarship more widely available is greatly to be welcomed.' Notes 'For readers without ready access to an academic library this collection is particularly useful, given the breadth of publications from which the essays are drawn.' Journal of the British Institute of Organ Studies