Sergei Tcherkasski, Vreneli Farber
The final chapter explores the broader correspondences and divergences between the System and core elements of yoga. In this careful study, Tcherkasski makes a strong case for the continuity, rather than the oft-cited break, between old and new Stanislavsky, and illuminates the significance of yoga to modern actor training in and beyond Stanislavsky’s works. Coleman Nye, The Drama Review, Volume 62, Number 3, Fall 2018