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Metallic Seed Bead Splendor

Stitch 29 Timeless Jewelry Pieces in Gold, Bronze, and Pewter

Nancy Zellers

$32.95

Paperback

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English
BOA Editions, Limited
18 May 2006
Readers will learn to create various types of seed bead jewelry to imitate the look of rich metals. Metallic Seed Bead Splendor includes over 25 projects covering a range of styles from elegant to casual, all stitched with gorgeous gold, bronze, silver, and pewter seed beads. Illustrations accompany each project, as well as a thorough Basics section covering many different stitches including peyote, right-angle weave, St. Petersburg chain, square stitch, herringbone, and ladder stitch.

By:  
Imprint:   BOA Editions, Limited
Country of Publication:   United States
Volume:   98.00
Dimensions:   Height: 229mm,  Width: 170mm,  Spine: 8mm
Weight:   127g
ISBN:   9781929918782
ISBN 10:   192991878X
Series:   American Poets Continuum (Paperback)
Pages:   96
Publication Date:  
Audience:   General/trade ,  ELT Advanced ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Steve Kronen's (b. 1953) first book, Empirical Evidence (1992), won the Contemporary Poetry Series Competition. His collection, The World Before Them, was a finalist for the 1998 Di Castagnola Award from the PSA. His chapbook appeared in The Drunken Boat. Fellowships include the Sewanee Writers' Conference, Breadloaf, the Florida Arts Council, and the Cecil Hemley Memorial Award from the PSA.

Reviews for Metallic Seed Bead Splendor: Stitch 29 Timeless Jewelry Pieces in Gold, Bronze, and Pewter

"""Bookcase"" and ""bouquets."" ""No sir, a"" and ""viscera."" ""Beatles"" and ""meatless. ""You'd have to look to Paul Muldoon to find a more outrageous end-rhymer than Kronen. Or a quieter one. Kronen works extensively in fixed (and some feral) forms, but his lines, like Muldoon's, tend to be so metrically irregular and heavily enjambed that even the full rhymes barely register. It's a deliberately subdued music, more for the mind than for the ear. ""Splendor"" is Kronen's first book in 14 years, and every poem in it, one senses, had to earn its spot on the roster. He's very good at choosing metaphors he can extend without hyperextending. Any poet could personify ""Rocking Chairs from the Thirties,"" but Kronen actually humanizes them: ""Under a mocking wind, you'll throw yourselves, / dolorous and shamed Rockettes of the porch, / into the old routine. .../ Should you kick high, something/ might give, who once welcomed flesh upon/ your flesh."" Kronen's skill with the figurative allows him to borrow figures from familiar sources (the Old Testament, classical mythology), apply them to familiar subjects, and still produce something original. - Eric McHenry -- New York Times Book Review, December 10, 2006"


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