Screen Ecologies: Art, Media, and the Environment in the Asia-Pacific Region

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Larissa Hjorth (Lecturer in Digital Art in the Games Program, RMIT University) Sarah Pink (Professor, RMIT - Royal Melbourne Institute of Technology)

Screen Ecologies

Art, Media, and the Environment in the Asia-Pacific Region

Larissa Hjorth (Lecturer in Digital Art in the Games Program, RMIT University), Sarah Pink (Professor, RMIT - Royal Melbourne Institute of Technology), Kristen Sharp (Senior Lecturer, RMIT University) , Linda Williams (Associate Professor; Honours Program Director, RMIT University)

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English

MIT Press
13 May 2016

Oriental art; Electronic, holographic & video art; Media studies; The environment

Series: Leonardo

How new media and visual artists provide alternative ways for understanding and visualizing the entanglements of media and the environment in the Asia-Pacific.

Images of environmental disaster and degradation have become part of our everyday media diet. This visual culture focusing on environmental deterioration represents a wider recognition of the political, economic, and cultural forces that are responsible for our ongoing environmental crisis. And yet efforts to raise awareness about environmental issues through digital and visual media are riddled with irony, because the resource extraction, manufacturing, transportation, and waste associated with digital devices contribute to environmental damage and climate change. Screen Ecologies examines the relationship of media, art, and climate change in the Asia-Pacific region-a key site of both environmental degradation and the production and consumption of climate-aware screen art and media. Screen Ecologies shows how new media and visual artists provide alternative ways for understanding the entanglements of media and the environment in the Asia-Pacific. It investigates such topics as artists' exploration of alternative ways to represent the environment; regional stories of media innovation and climate change; the tensions between amateur and professional art; the emergence of biennials, triennials, and new arts organizations; the theme of water in regional art; new models for networked collaboration; and social media's move from private to public realms. A generous selection of illustrations shows a range of artist's projects.

By: Larissa Hjorth (Lecturer in Digital Art in the Games Program RMIT University), Sarah Pink (Professor, RMIT - Royal Melbourne Institute of Technology), Kristen Sharp (Senior Lecturer, RMIT University), Linda Williams (Associate Professor; Honours Program Director, RMIT University)
Imprint: MIT Press
Country of Publication: United States
Dimensions: Height: 229mm, Width: 178mm, Spine: 17mm
Weight: 499g
ISBN: 9780262034562
ISBN 10: 0262034565
Series: Leonardo
Pages: 224
Publication Date: 13 May 2016
Recommended Age: From 18
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Larissa Hjorth is Distinguished Professor and Director of Design and Creative Practice at RMIT University in Melbourne. She is coauthor of Screen Ecologies (MIT Press). Sarah Pink is Professor in the School of Media and Communications at RMIT. Kristen Sharp is Senior Lecturer in the School of Art at RMIT. Linda Williams is Associate Professor in the School of Art at RMIT.