Ruined Skylines

Gunter Gassner makes a powerful case for complexity rather than clarity in cities. He explores the massing together of tall buildings, arguing for a critical and creative exploration of skylines rather than the privileging of individual structures. Though Gassner's work is based on architectural craft, it ranges deep into politics, philosophy, economics, and everyday life. Ruined Skylines is arousing visually, engaging to read, and never fails to provoke. - Richard Sennett, London School of Economics and Political Science, UK In this original and compelling study Gunter Gassner dispels the idea of skylines as simple linear representations, to be traced or protected, or read for their obvious symbolic load. Through meticulous visual analyses and imaginative engagement with the work of Walter Benjamin and other key critical urban theorists, Ruined Skylines grounds London's `new' skyline within a longer historical trajectory. As an intervention within debates about urban change this timely work goes far beyond the surface controversies and straightforward readings of the tall-building boom and its relationship with power and capital. It offers, instead, a radical, multi-dimensional reconceptualization of the political uses and potentials of the skyline. - Ben Campkin, The Bartlett School of Architecture, University College London, UK Rich in both historical detail and theoretical insight, this is a particularly timely and significant book. As the hubris of contemporary transnational corporations finds ever more spectacular instantiation in the high-rise glass and steel of metropolitan skyscrapers, Gunter Gassner astutely recognizes that the `choice' between neoliberal tower-building boosterists and historical heritage naysayers is merely one between the two sides of the same conservative coin. Drawing on Walter Benjamin's vision of `ruination' as a process of fracturing deceptive facades and disturbing contexts to reveal unheeded possibilities and unrealized potentialities, Gassner's pioneering `baroque critique' deftly navigates towards a genuinely alternative political aesthetics and urban imaginary. Focusing on the London skyline, this book will inform and inspire those who reject the relentless commodification and financialisation of our cityscapes, and who are determined that our twenty-first-century cities will be neither the preserve of penthouse-dwelling economic elites nor museumified monuments maintained for globe-trotting tourists. Deeply critical and profoundly political, Gassner's work is not just about architectural horizons and changing urban vistas; rather, it sets out to challenge and change the very processes and architects, the how and the who, the whys and wherefores, of present-day urban transformation. It is an urgent and necessary interrogation of how our future cities are to be(come) both liveable and alive. - Graeme Gilloch, Lancaster University, UK