Thomas Crow is the Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, New York University. His many books include Emulation: David, Drouais, and Girodet in the Art of Revolutionary France; The Long March of Pop: Art, Music, and Design 1930–1995; No Idols: The Missing Theology of Art; and The Artist in the Counterculture: Bruce Conner to Mike Kelley and Other Tales from the Edge (Princeton).
Winner of the Silver Medal, Laura Shannon Prize in Contemporary European Studies, Nanovic Institute, University of Notre Dame [A] handsomely illustrated and profoundly revealing and stimulating book. ---Michael Prodger, Literary Review A slender, handsomely produced volume on the art of the restoration period. . . . The depth and breadth of [Crow's] learning is stupendous. ---Tim Blanning, Art Newspaper Restoration is a welcome addition to the literature on art after the collapse of the French Empire. ---A. L. Palmer, Choice Reviews