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Rembrandt's Light

Jennifer Scott Helen Hillyard

$39.99

Paperback

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English
Philip Wilson Publishers Ltd
03 December 2019
A unique picture of Rembrandt's mastery of light and visual storytelling.

Rembrandt’s Light brings together 35 carefully selected paintings, concentrating on his greatest years from 1639-1658, when he lived in his ideal house at Breestraat in the heart of Amsterdam (today the Museum Het Rembrandthuis). Its striking, light-infused studio was the site for the creation of Rembrandt’s most exceptional paintings, prints and drawings including ‘The Denial of St Peter’ and ‘The Artist’s Studio’.

Arranged thematically, the book traces Rembrandt’s innovation: from evoking a meditative mood, to lighting people, to creating impact and drama. Highlights will include three of Rembrandt’s most famous images of women: ‘A Woman Bathing in a Stream’, ‘A Woman in Bed’ and the inimitable ‘Girl at a Window’.

Published to coincide with an exhibition at Dulwich Picture Gallery in 2019, with celebrations taking place throughout Europe to mark 350 years since the artist’s death (1669), this publication aims to refresh the way we look at works by this incomparable Dutch Master.

By:   ,
Imprint:   Philip Wilson Publishers Ltd
Country of Publication:   United Kingdom
Dimensions:   Height: 249mm,  Width: 213mm,  Spine: 20mm
Weight:   702g
ISBN:   9781781300930
ISBN 10:   1781300933
Pages:   160
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active
Introduction: Rembrandt’s Light Rembrandt & Light - David de Witt and Franziska Gottwald Manipulating Light: The Master in the Studio - Helen Hillyard Lighting the Figure - Helen Hillyard ‘The World is a Theatre’: Rembrandt’s Dramatic Storytelling - Jennifer Scott The Meditative Mood - Jennifer Scott ‘Every Frame a Rembrandt’: In Conversation with Peter Suschitzky Bibliography Notes Index List of Lenders Picture Credits

Jennifer Scott is the Sackler Director of Dulwich Picture Gallery. She was previously the Director of the Holburne Museum in Bath and before that a curator of paintings at Royal Collection Trust having previously worked at National Gallery London and National Museums Liverpool. She has published and lectured extensively on 16th and 17th century Dutch and Flemish art and has organised many exhibitions. Her publications include Bruegel: Defining a Dynasty (PWP, 2017).

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