Patricia Johanson and the Re-Invention of Public Environmental Art, 1958-2010

Xin Wu

$294

Hardback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Routledge
19 March 2013

Art & design styles: Conceptual art; Individual artists, art monographs

"Impeccably researched and richly detailed, this book addresses the issue of translation between visual arts and landscape design in the 50 more years career of Patricia Johanson, an important artist in the second half of the twentieth-century. Examining the artist’s search for an ""art of the real"" as a member of the post-World War II New York art world, and how such pursuit has led her from painting and sculpture to public garden and environmental art, Xin Wu argues for the significance of the process of art creation, challenging the centrality of art objects.

This book is an insightful study to confront a crucial question in the history of art through the work of a contemporary artist. It therefore converses with art historians and critics alike, as well as advanced readers of twentieth-century art. Following Johanson's artistic development, from its formation in the 1960s American art scene to the very present day, across the fields of art, architecture, garden, civil engineering and environmental aesthetics, it investigates the process of creation in a transdisciplinary perspective, and reveals a view of art as a domain of exploration of key issues for the contemporary world. The artist's concept of nature is highlighted, and particular impacts of Chinese aesthetics and thought unveiled. Based on extensive analysis of unpublished private archives, Xin Wu offers us the first ever comprehensive scholarly interpretation of Patricia Johanson's oeuvre, including drawings, paintings, sculptures, installations, garden proposals, and built and unbuilt projects in the United States, Brazil, Kenya, and Korea."

By: Xin Wu
Imprint: Routledge
Country of Publication: United Kingdom
Edition: New edition
Dimensions: Height: 246mm, Width: 174mm,
Weight: 998g
ISBN: 9781409435440
ISBN 10: 140943544X
Pages: 334
Publication Date: 19 March 2013
Audience: College/higher education , General/trade , Primary , ELT Advanced
Format: Hardback
Publisher's Status: Active

Xin Wu is Assistant Professor of Art History at the College of William & Mary, and author of the two-volume monograph Patricia Johanson’s House & Garden Commission: Reconstruction of Modernity (2008) as well as books and articles on the history of representation of nature in China.

Reviews for Patricia Johanson and the Re-Invention of Public Environmental Art, 1958-2010

'... a meaningful contribution to the artist's oeuvre that provides insight into her creative impact on public environmental art. This work would make a great addition to academic libraries that collect materials related to garden history, earthworks, or Johanson's work as an artist.' ARLIS/NA Reviews '... a welcome and timely addition to the literature of landscape design.' Studio International 'Xin Wu's recent study of Johanson explores the artist's work as negotiating between these multiple fields as well as meriting consideration within art historical chronologies. For Wu, Johanson's art constitutes a new-and relevant-form of contemporary public art practice.' Journal of American Culture