New York

Art and Cultural Capital of the Gilded Age

Margaret R. Laster, Chelsea Bruner

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English

Routledge
07 July 2020

History of art & design styles: c 1800 to c 1900; Architectural structure & design; Museums & museology; History of the Americas; Modern history to 20th century: c 1700 to c 1900

Series: Routledge Research in Art History

Fueled by a flourishing capitalist economy, undergirded by advancements in architectural design and urban infrastructure, and patronized by growing bourgeois and elite classes, New York’s built environment was dramatically transformed in the 1870s and 1880s. This book argues that this constituted the formative period of New York’s modernization and cosmopolitanism—the product of a vital self-consciousness and a deliberate intent on the part of its elite citizenry to create a world-class cultural metropolis reflecting the city’s economic and political preeminence. The interdisciplinary essays in this book examine New York’s late nineteenth-century evolution not simply as a question of its physical layout but also in terms of its radically new social composition, comprising the individuals, institutions, and organizations that played determining roles in the city’s cultural ascendancy.

Edited by: Margaret R. Laster, Chelsea Bruner
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 246mm, Width: 174mm,
Weight: 453g
ISBN: 9780367516086
ISBN 10: 036751608X
Series: Routledge Research in Art History
Pages: 248
Publication Date: 07 July 2020
Audience: College/higher education , Primary , A / AS level
Format: Paperback
Publisher's Status: Active

Margaret R. Laster is an independent curator and scholar of American art. Previous posts include Associate Curator of American Art at the New-York Historical Society, and Lunder Consortium for Whistler Studies Fellow at the Freer Gallery of Art. Her research centers on art and material culture of the nineteenth century, including Gilded Age collecting and patronage histories. Chelsea Bruner is a member of the liberal arts faculty at Ringling College of Art and Design in Sarasota, Florida, where she teaches Design History. Her work centers on architecture and interiors of the nineteenth and twentieth century, with an emphasis on elite patronage and the professionalization of architectural design in the Gilded Age.

Reviews for New York: Art and Cultural Capital of the Gilded Age

"""Those of us who teach should ask our university librarians to purchase the ebook in addition to the hardcover, so that individual essays can be downloaded, paired, and assigned to students in our undergraduate classes. All are well written and eminently readable by students and scholars alike."" --Nineteenth-Century Art Worldwide"