New Performance/New Writing

John Freeman

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Paperback

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English

Red Globe Press
16 May 2016

Performance art; Theatre Studies; Creative writing & creative writing guides

Contemporary theatre is going through a period of unparalleled excitement and challenge. Terms like 'postmodern' and 'postdramatic' have their own contested and defended histories, while notions of truth in verbatim theatre are open to serious critical challenge. Theatre writing can result in no words being spoken and nothing appearing on the page, and productions are stretching the boundaries of space, place and context like never before.

This revised and significantly expanded edition of New Performance/New Writing explores immersive and solo theatre, autoethnography, applied drama, performance writing, plot, story, narrative and devising. It presents an invaluable response to questions that arise from new theatre, prompting active reading that enhances classroom and workshop learning, and improves productivity in rehearsal.

Each chapter explores a key aspect of theatre study, while an extensive timeline of theatre events gives a broad overview of its evolution. Case studies on practitioners as diverse as Kneehigh, Punchdrunk, Mark Ravenhill and Forced Entertainment are scattered throughout the book, along with detailed suggestions for workshops, which encourage readers to test some of the book's ideas in practice.

By: John Freeman
Imprint: Red Globe Press
Country of Publication: United Kingdom
Edition: 2nd ed. 2016
Dimensions: Height: 235mm, Width: 155mm, Spine: 16mm
Weight: 3.552kg
ISBN: 9781137445049
ISBN 10: 1137445041
Pages: 280
Publication Date: 16 May 2016
Audience: College/higher education , Primary
Format: Paperback
Publisher's Status: Active

John Freeman is Professor of Theatre and Dean of Culture and Language Sciences at the University of St Mark & St John, UK, prior to which he was Head of Theatre at Falmouth University, UK. He has written six books on theatre and numerous articles on the relationship between performance, creative research and education.

Reviews for New Performance/New Writing

'Provocative in every sense, this text makes a unique and valuable contribution to the inter-related disciplines of theatre, performance and writing. Practitioners and theorists in Contemporary Theatre will be informed and challenged by Freeman's original ideas and analyses which should be required reading for anyone engaged in practice-based research in theatre and performance.' - Jennifer de Reuck, Murdoch University, Australia