Making Art History in Europe After 1945

Noemi de Haro García, Patricia Mayayo, Jesús Carrillo

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English

Routledge
09 March 2020

History of art & design styles: from c 1900 -; European history

Series: Studies in Art Historiography

This book analyses the intermeshing of state power and art history in Europe since 1945 and up to the present from a critical, de-centered perspective.

Devoting special attention to European peripheries and to under-researched transnational cultural political initiatives related to the arts implemented after the end of the Second World War, the contributors explore the ways in which this relationship crystallised in specific moments, places, discourses and practices. They make the historic hegemonic centres of the discipline converse with Europe’s Southern and Eastern peripheries, from Portugal to Estonia to Greece.

By stressing the margins’ point of view this volume rethinks the ideological grounds on which art history and the European Union have been constructed as well as the role played by art and culture in the very concept of ‘Europe.’

Edited by: Noemi de Haro García, Patricia Mayayo, Jesús Carrillo
Imprint: Routledge
Country of Publication: United States
Dimensions: Height: 246mm, Width: 174mm,
Weight: 453g
ISBN: 9780815393795
ISBN 10: 0815393792
Series: Studies in Art Historiography
Pages: 282
Publication Date: 09 March 2020
Audience: College/higher education , Primary , A / AS level
Format: Hardback
Publisher's Status: Active

Noemi de Haro García is Ramón y Cajal Research Fellow in the Art History Department of the Universidad Autónoma de Madrid. Patricia Mayayo is Senior Lecturer in the Art History Department of the Universidad Autónoma de Madrid. Jesus Carrillo is Senior Lecturer in the Art History Department of the Universidad Autónoma de Madrid.

Reviews for Making Art History in Europe After 1945

In sum, this book highlights an interesting omission in art historiography, and sets a new agenda in decentralising the approach of art historiography by shifting the focus from a regional to a geopolitical perspective. --Journal of Art Historiography