Lauren S. Weingarden is a Professor of Art History at Florida State University whose Sullivan scholarship spans over 25 years and comprises numerous publications including two books, Louis H. Sullivan: The Banks and Louis H. Sullivan: A System of Architectural Ornament, as well as international museum exhibitions, professional awards and two documentary films.
'Lauren Weingarden has crafted a masterful and illuminating study of Louis Sullivan's architecture, ornament, and writings, considered through the triple lens of imagination, art, and society, and related closely to the writings of Emerson, Ruskin, and Whitman.' Richard Etlin, University of Maryland, USA '... Recommended.' Choice 'Weingarden presents to us an exemplar of in-depth, insightful, and contemporary scholarship. The strength of the book is in its tight structure, evidence-based disclosures, and meaningful cross-referencing of Sullivan's architectural and philosophical thought to Ruskin, Emerson, and key poets, architects, and thinkers. However, most importantly, the book is a much-needed re-evaluation of modernist architectural thought, especially as so much of existing historical scholarship is dogmatic and one-dimensional... Louis H Sullivan and a 19th Century Poetics of Naturalised Architecture makes a substantial contribution to the interdisciplinary fields of architecture and interior architecture and decoration... The book also contributes to nineteenth century studies... Ruskin scholars will find this book exciting... The book will also be of interest to architectural theorists and designers... Louis H Sullivan and a 19th Century Poetics of Naturalised Architecture opens up numerous and delightful avenues for future scholarship beyond itself, which is what good scholarship ought to achieve.' The Eighth Lamp 'Lauren S. Weingarden's monograph Louis H. Sullivan and a 19th-Century Poetics of Naturalized Architecture makes an important contribution to the growing number of recent studies that reevaluate seminal figures credited with bringing structural honesty to the fore of architectural practice.' CAA Reviews