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Inky Fingers

The Making of Books in Early Modern Europe

Anthony Grafton

$43.95

Paperback

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English
Belknap Press
03 May 2022
"""Describes magnificent achievements, storms of controversy, and sometimes the pure devilment of scholars and printers Captivating and often amusing."" -Wall Street Journal

""Ideas, in this vivid telling, emerge not just from minds but from hands, not to mention the biceps that crank a press or heft a ream of paper."" -New York Review of Books

""As usual, Grafton presents largely unfamiliar material in a clear, even breezy style Erudite."" -Michael Dirda, Washington Post

In this celebration of bookmaking in all its messy and intricate detail, Anthony Grafton captures both the physical and mental labors that went into the golden age of the book-compiling notebooks, copying and correcting proofs, preparing copy-and shows us how scribes and scholars shaped influential religious treatises and forgeries.

Inky Fingers ranges widely, from the sustaining and constraining effects of theological polemics in the early days of printing to the textual revolutions of the seventeenth and eighteenth centuries. Grafton draws new connections between humanistic traditions and intellectual innovations, textual learning and the delicate, arduous, error-riddled craft of making books. Through it all, he reminds us that the life of the mind depends on the work of the hands, and the nitty-gritty work of printmakers has had a profound impact on the history of ideas."

By:  
Imprint:   Belknap Press
Country of Publication:   United States
Dimensions:   Height: 235mm,  Width: 156mm, 
ISBN:   9780674271210
ISBN 10:   0674271211
Pages:   392
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Anthony Grafton is the author of The Footnote, Defenders of the Text, Forgers and Critics, and Inky Fingers, among other books. The Henry Putnam University Professor of History and the Humanities at Princeton University, he writes regularly for the New York Review of Books.

Reviews for Inky Fingers: The Making of Books in Early Modern Europe

Grafton describes magnificent achievements, storms of controversy, and sometimes the pure devilment of scholars and printers, from the 15th to the early 17th centuries...Captivating and often amusing. * Wall Street Journal * The essays...repopulate the world of high scholarship with participants of all social ranks, dragging the most rarefied ideas down to earth...For all his own intellectual daring, Grafton's sympathies lie with gruntwork. Originality is upstaged by transmission, inspiration by logistics. Ideas, in this vivid telling, emerge not just from minds but from hands, not to mention the biceps that crank a press or heft a ream of paper. -- Leah Price * New York Review of Books * As usual, Grafton presents largely unfamiliar material-his last essay looks at precursors to Spinoza's rationalist approach to biblical interpretation-in a clear, even breezy style...Erudite. -- Michael Dirda * Washington Post * Describes the texture of intellectual life from the Renaissance to the Enlightenment...Scholarship is a kind of heroism in Grafton's account, his nine protagonists' aching backs and tired eyes evidence of their valiant dedication to the pursuit of knowledge. -- Erin Maglaque * London Review of Books * Grafton's sweeping erudition and meticulous scholarship are on display in Inky Fingers, which offers us a look over the shoulders of theologians and humanist scholars. His case studies illuminate how 'traditional' historical skills-the careful reading of texts, the deciphering of marginalia, and the tracing of arcane references-still hold countless possibilities for new readings and revelations. -- Daniel Jutte, author of <i>The Strait Gate: Thresholds and Power in Western History</i> Inky Fingers directs our attention to the inky realities of book production and the messiness of everyday life. To erase urban contexts, correspondence networks, financial burdens, and other human factors from the early modern narrative, Grafton shows us, is to distort how new ideas-both famous and obscure-came into being. An excellent and thought-provoking book! -- Ada Palmer, author of <i>Reading Lucretius in the Renaissance</i> and the <i>Terra Ignota</i> series A new book by Grafton is always a cause for celebration. * Choice * Delightful...Weave[s] together an impressive range of case studies that investigate the labors of scholarly authors between 1500 and 1750. -- Arthur der Weduwen * Library & Information History *


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