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Henri Bergson and Visual Culture

A Philosophy for a New Aesthetic

Paul Atkinson

$52.99

Paperback

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English
Bloomsbury Academic
15 October 2020
What does it mean to see time

in the visual arts and how does art reveal the nature of time? Paul Atkinson

investigates these questions through the work of the French philosopher Henri

Bergson, whose theory of time as duration made him one of the most prominent

thinkers of the fin de siècle. Although Bergson never enunciated an aesthetic

theory and did not explicitly write on the visual arts, his philosophy

gestures towards a play of sensual differences that is central to aesthetics.

This book rethinks Bergson’s philosophy in terms of aesthetics and provides a

fascinating and original account of how Bergsonian ideas aid in understanding

time and dynamism in the visual arts.

From an examination of

Bergson’s influence on the visual arts to a reconsideration of the

relationship between aesthetics and metaphysics, Henri Bergson and Visual Culture explores what it means to

reconceptualise the visual arts in terms of duration. Atkinson revisits four

key themes in Bergson’s work – duration; time and the continuous gesture; the

ramification of life and durational difference – and reveals Bergsonian

aesthetics of duration through the application of these themes to a number of

19th and 20th-century artworks.

This book introduces readers and art lovers to the work of Bergson and contributes to Bergsonian

scholarship, as well as presenting a new of understanding the relationship

between art and time.

By:  
Imprint:   Bloomsbury Academic
Country of Publication:   United Kingdom
Dimensions:   Height: 216mm,  Width: 138mm, 
Weight:   386g
ISBN:   9781350161771
ISBN 10:   1350161772
Pages:   336
Publication Date:  
Audience:   College/higher education ,  Primary
Format:   Paperback
Publisher's Status:   Active
List of Figures Introduction Chapter One: Durée Chapter Two: Gesture Chapter Three: Life Chapter Four: Perception Conclusion Bibliography

Paul Atkinson is Lecturer at Monash University, Australia.

Reviews for Henri Bergson and Visual Culture: A Philosophy for a New Aesthetic

Henri Bergson and Visual Culture is an immensely interesting book. It not only describes what Bergson’s philosophy of art might have looked like, but it also shows how philosophy can be reoriented, enriched, and developed through its interaction with artworks. A tremendous achievement. * Leonard Lawlor, Sparks Professor of Philosophy, Penn State University, USA * ‘Bergson’ represents a movement in thought that calls on us to ‘join’ in that movement if we are to understand it. Atkinson not only joins Bergson’s thought with supreme grace, he also creates a Bergsonian understanding of visual art that is quite remarkable. As adept in the history of art as it is impressive in its philosophical scholarship, this is the best book to appear on Bergson in years. * John Ó Maoilearca, Professor of Film, Kingston University, London, UK *


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