Danya Kukafka is a graduate of New York University's Gallatin School of Individualized Study. She currently works as an assistant editor at Riverhead books. Girl in Snow is her first novel.
From its startling opening line right through to its stunning conclusion, Girl in Snow is a perfectly-paced and tautly-plotted thriller. Danya Kukafka's misfit characters are richly drawn, her prose is both elegant and eerie - this is an incredibly accomplished debut -- Paula Hawkins, author of The Girl on the Train and Into the Water A sensational debut - great characters, mysteries within mysteries, and page-turning pace. Highly recommended -- Lee Child, bestselling author of the Jack Reacher series An exciting debut from a talented new voice. Girl in Snow is a propulsive mystery set in a suburban community marked by unsettling voyeurism. Danya Kukafka patiently reveals layers of her characters' inner lives - their ugliness and vulnerabilities - in prose that sparkles and wounds. I couldn't put this one down. -- Brit Bennett, New York Times bestselling author of The Mothers 'Girl in Snow is a haunting, lyrical novel about love, loss, and terror. Reading it felt like entering another world, where things and people - were not as they at first appeared. The world Kukafka so masterfully creates is suspenseful and electrifying; I was willing to follow her wherever she took me.' -- Anton DiSclafani, New York Times bestselling author of The Yonahlossee Riding Camp for Girls and The After Party There is a frightful truth to Danya Kukafka's characterizations, and the mystery at the heart of Girl in Snow is so elegantly constructed. It's an exceptional, unnerving debut novel. I'm already counting the days until her next one -- Owen King, author of Double Feature and co-author of Sleeping Beauties Kukafka attempts to subvert preconceptions, principally of what is expected of the thriller genre, but succeeds more pointedly in destabilizing the biases toward illegal immigration, mental illness, law enforcement, and presentations of sexuality sewn into our country's fabric . . . Kukafka expertly plays with the idealization of the golden girl . . . In many ways, the book responds to our cultural norms of self-presentation and societal expectation. By weaving these narrative perspectives together, all directed at the image of a dead female body, we gain heightened intimacy and understanding of three unique psychologies and are also forced to reckon with our own preconceived notions of beauty, gender, mental ability, and various manifestations of power. * Guernica *