Creating Selves

Intellectual Property and the Narration of Culture

Johanna Gibson

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Paperback

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English

Routledge
27 February 2017

Humanities; Sociology; Jurisprudence & general issues; Intellectual property law; Social law

Series: Globalization and Law

The concept of creativity, together with concerns over access to creativity and knowledge, are currently the subject of international debate and unprecedented public attention, particularly in the context of international developments in intellectual property laws. Not only are there significant developments at the legal level, with increasing moves towards stronger and harmonized protection for intellectual property, but also there is intense public interest in the concepts of creativity, authorship, personality, and knowledge.

In Creating Selves, Johanna Gibson addresses strategic responses to intellectual property, and suggests alternative models for encouraging, rewarding, and disseminating creative and innovative output, which are built upon a critical analysis of and approach to the debate and to the concept of creativity itself. Drawing upon critical theories in authorship, literature, music, the sciences and the arts, Gibson suggests a radical re-consideration of the notion of creativity in the intellectual property debate and the means by which to encourage and sustain creativity in contemporary society.

By: Johanna Gibson
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
Weight: 453g
ISBN: 9781138264465
ISBN 10: 1138264466
Series: Globalization and Law
Pages: 178
Publication Date: 27 February 2017
Audience: College/higher education , General/trade , Primary , ELT Advanced
Format: Paperback
Publisher's Status: Active

Dr Johanna Gibson is Reader in Intellectual Property Law at Queen Mary, University of London, UK. Her first book, Community Resources, was published with Ashgate in 2005.

Reviews for Creating Selves: Intellectual Property and the Narration of Culture

'The necessary link between intellectual property rights and the promotion of creativity and innovation has become a government and industry mantra in recent years. Dr Gibson subjects the claim to searching and thought-provoking scrutiny, drawing effectively on a wide range of inter-disciplinary sources to provide fresh perspectives with important implications for relevant policy and practice in the field.' Hector L. MacQueen, University of Edinburgh, UK