Comic Acting and Portraiture in Late-Georgian and Regency England

Jim Davis (University of Warwick)

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English

Cambridge University Press
08 October 2015

History of art & design styles: c 1600 to c 1800; Portraits in art; Theatre Studies

The popularity of the comic performers of late-Georgian and Regency England and their frequent depiction in portraits, caricatures and prints is beyond dispute, yet until now little has been written on the subject. In this unique study Jim Davis considers the representation of English low comic actors, such as Joseph Munden, John Liston, Charles Mathews and John Emery, in the visual arts of the period, the ways in which such representations became part of the visual culture of their time, and the impact of visual representation and art theory on prose descriptions of comic actors. Davis reveals how many of the actors discussed also exhibited or collected paintings and used painterly techniques to evoke the world around them. Drawing particularly on the influence of Hogarth and Wilkie, he goes on to examine portraiture as critique and what the actors themselves represented in terms of notions of national and regional identity.

By: Jim Davis (University of Warwick)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 253mm, Width: 181mm, Spine: 18mm
Weight: 750g
ISBN: 9781107098855
ISBN 10: 1107098858
Pages: 287
Publication Date: 08 October 2015
Audience: Professional and scholarly , Professional and scholarly , Undergraduate , Undergraduate
Format: Hardback
Publisher's Status: Active

Part I. English Comic Actors and their Representation: 1. The low comic actor; 2. Artists and comic actors; 3. Perspectives on comedy and comic acting; Part II. Humorous as a Sketch by Hogarth: 4. Comedy and caricature: Joseph Munden and Isabella Mattocks; 5. John Liston: caricaturing preachers and cockneys; 6. The low comedian as material object; 7. Caricature, degradation, persona and portraiture; 8. Paintings by George Clint; Part III. Chaste as a Picture by Wilkie: 9. Wilkie, everyday life and the theatre; 10. Acting from nature and observation; 11. John Bannister: 'the best kind of Englishman'; 12. John Emery: 'this Wilkie of Actors'; 13. Actors as artists and connoisseurs; Part IV. Alone I Did It! The Case of Charles Mathews: 14. Charles Mathews 'at home'; 15. Charles Mathews: paintings, portraits and prints; 16. The Harlow portrait of Charles Mathews.

Jim Davis is Professor of Theatre Studies at the University of Warwick. As a researcher, he specialises in British theatre during the long nineteenth century. He has published a biographical study of John Liston, an edition of the plays of H. J. Byron and an edition of the diaries of the stage manager of the Britannia Theatre, Hoxton, Frederick Wilton. With Victor Emeljanow he co-wrote a prize-winning study of nineteenth-century theatre audiences, Reflecting the Audience: London Theatregoing 1840–1880 (2001), and more recently he has edited a collection of critical essays on Victorian Pantomime (2010) and a volume on Edmund Kean. He has also co-convened Theatre Historiography groups for the International Federation for Theatre Research and for the British Theatre and Performance Research Association, and is an editor of the journal Nineteenth Century Theatre and Film.