"Theatrical characters’ dual existence on stage and in text presents a unique, challenging case for the analytical philosopher.
Analytic Philosophy and the World of the Play re-examines the ontological status of theatre and its fictional objects through the ""possible worlds"" thesis, arguing that theatre is not a mirror of our world, but a re-creation of it. Taking a fresh look at theatre’s key elements, including the hotly contested relationships between character and actor; onstage and offstage ""worlds""; and the play-text and performance, Michael Y. Bennett presents a radical new way of understanding the world of the play."
By:
Michael Y. Bennett Afterword by:
James R. Hamilton Foreword by:
Marvin Carlson Imprint: Routledge Country of Publication: United Kingdom Dimensions:
Height: 234mm,
Width: 156mm,
Weight: 408g ISBN:9781138239920 ISBN 10: 1138239925 Series:Routledge Advances in Theatre & Performance Studies Pages: 172 Publication Date:09 June 2017 Audience:
General/trade
,
College/higher education
,
ELT Advanced
,
Primary
Format:Hardback Publisher's Status: Active
"ACKNOWLEDGMENTS FOREWORD by Marvin Carlson INTRODUCTION Theatre and the Mirror of Nature PART I Exposing the Problem and Proposing a Solution 1 Theatrical Names and Reference: Dialectical-Synecdochic Objects and ""Re-Creation"" 2 The World of the Play: Theatre as ""Re-Creation"" PART II Applying the (Proposed) Solution to the Problems 3 ""Liveness""?: The Presumption of Dramatic and Theatrical ""Liveness"" 4 Boundedness of (Fictional) Theatre to our (Real) World: Actor and Audience Co-Existence 5 Identity across ""Possible Worlds"": ""The World Beyond"" the Play CONCLUSIONS #1 ""The Purpose of Playing"": Why Go to the Theatre? #2 Where the World of Theatre Ends: Performance Art #3 Make-Believe AFTERWORD by James R. Hamilton BIBLIOGRAPHY INDEX"
Michael Y. Bennett is Associate Professor of English and affiliated faculty in Philosophy at the University of Wisconsin-Whitewater.