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English
Bloomsbury Academic USA
10 March 2016
Against Ambience diagnoses - in order to cure - the art world’s

recent turn toward ambience. Over the course of three short months -

June to September, 2013 - the four most prestigious museums in New York

indulged the ambience of sound and light: James Turrell at the

Guggenheim, Soundings at MoMA,

Robert Irwin at the Whitney, and Janet Cardiff at the Met. In addition,

two notable shows at smaller galleries indicate that this is not simply

a major-donor movement. Collectively, these shows constitute a proposal

about what we wanted from art in 2013.

While we’re in the soft embrace of light, the NSA and

Facebook are still collecting our data, the money in our bank accounts

is still being used to fund who-knows-what without our knowledge or

consent, the government we elected is still imprisoning and targeting

people with whom we have no beef. We deserve an art that is the equal of

our information age. Not one that parrots the age’s self-assertions or

modes of dissemination, but an art that is hyper-aware, vigilant,

active, engaged, and informed.

We are now one hundred years

clear of Duchamp’s first readymades. So why should we find ourselves so

thoroughly in thrall to ambience? Against Ambience argues for an

art that acknowledges its own methods and intentions; its own position

in the structures of cultural power and persuasion. Rather than the warm

glow of light or the soothing wash of sound, Against Ambience

proposes an art that

cracks the surface of our prevailing patterns of

encounter, initiating productive disruptions and deconstructions.

By:  
Imprint:   Bloomsbury Academic USA
Country of Publication:   United States
Dimensions:   Height: 229mm,  Width: 152mm,  Spine: 15mm
Weight:   286g
ISBN:   9781501310324
ISBN 10:   1501310321
Pages:   208
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Preface Against Ambience Shallow Listenings: Sounds, Silences, Scenes, & Sites Nothing That Is Not There And The Nothing That Is: Doug Aitken’s Sonic Pavilion I Have Something To Say, But I’m Not Saying It That Jabbering Which Thinks It Sees: Robert Morris Sites His Sources Sound Today (Is No Longer A Function Of The Ear) or, Why Do I So Dislike Glee? The Conceptual Garage: Rock and Roll, Expanded No Depth: A Call for Shallow Listening Burden Bangs Joy Rock and Roll Lecture No. 1 Anxious, Dismal, Giddy, Aggressive: Seth Kim-Cohen Interviewed by Mark Peter Wright for Ear Room Index

Seth Kim-Cohen is Assistant Professor of Art History, Theory and Criticism at the School of the Art Institute of Chicago, USA.

Reviews for Against Ambience and Other Essays

As an entreaty to sound artists and gallerists to think discursively about the artistic production of ambience, Kim-Cohen's Against Ambience is a necessary and timely intervention. It should be read by anyone with a serious investment in the creation or presentation of `sound art' or `environmental' art installations. As aesthetic theory, the essay is at once discursively productive, cognitively stimulating, well organized, linguistically playful without indulgence, and frequently razor-sharp in its dissection of concepts ... The art world could use more ethical appeals such as Kim-Cohen's, and his clarion call in Against Ambience justly deserves amplification. * Twentieth-Century Music * This fantastic new collection of essays confirms that Seth Kim-Cohen writes about sound and unsound, sense and nonsense, like no one else. Kim-Cohen polarizes-not just his readers, but his subjects and, inevitably, himself. The Big One-Thing is always cracked in two. Easy magic can't get a break. But make no mistake. Kim-Cohen is a lover of intensities: litany becomes a hard bright joy, pleasure heaves its darkness into view. That love of intensity- faith, really-is what lets him break down the `superjoke' of rock 'n roll without spoiling its punchline. An astonishing feat. We could all take a page. * Seth Brodsky, Assistant Professor of Music and the Humanities, The University of Chicago, USA * Against Ambience and Other Essays is like one of those bombs the anarchists dreamed of back at the birth of modernism: exploding whole worlds with a single throw. In their case, some wood panelling was splintered, tuxedoes were spoiled, and a few (usually the wrong) people injured. But Kim-Cohen here, once again, pulls off the more utopian dream-and with aplomb. * Craig Dworkin, Professor of English at the University of Utah, USA * [Against Ambience and Other Essays is] a polemical air horn that might just wake celebrants of ambient art from their nostalgic dream of decontextualized sensory immersion. * Lytle Shaw, Professor of English, New York University, USA *


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