A Theory of the Tache in Nineteenth-Century Painting

Øystein Sjåstad

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English

Routledge
11 September 2019

The Arts: General & Reference; History of art & design styles: c 1800 to c 1900

Series: Studies in Art Historiography

Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists’ rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cézanne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist’s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art.

With a methodological framework drawn from the semiotics of text and image, the author introduces a much-needed fine-tuning to the classic terms index, symbol, and icon. The concept of the tache as a ’crossing’ of sign-types enables finer distinctions and observations than have been available thus far within the Peircean tradition. The ’sign-crossing’ theory opens onto the whole terrain of interaction between visual art, art criticism, literature, philosophy, and psychology.

By: Øystein Sjåstad
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm,
Weight: 272g
ISBN: 9780367432843
ISBN 10: 0367432846
Series: Studies in Art Historiography
Pages: 192
Publication Date: 11 September 2019
Audience: College/higher education , General/trade , Primary , ELT Advanced
Format: Paperback
Publisher's Status: Active

Øystein Sjåstad is a lecturer in art history at the Department of Philosophy, Classics, History of Art and Ideas at the University of Oslo, Norway.