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The author of three books of poems, Daniel Simon is a poet, essayist, translator, and World Literature Today's assistant director and editor in chief. His 2017 edited volume, Nebraska Poetry: A Sesquicentennial Anthology, won a 2018 Nebraska Book Award. His most recent edited collection, Dispatches from the Republic of Letters: 50 Years of the Neustadt International Prize for Literature (2020), was a Publishers Weekly starred pick. Pico Iyer was born in Oxford, England in 1957. He won a King's Scholarship to Eton and then a Demyship to Magdalen College, Oxford, where he was awarded a Congratulatory Double First with the highest marks of any English Literature student in the university. In 1980 he became a Teaching Fellow at Harvard, where he received a second Master's degree, and in subsequent years he has received an honorary doctorate in Humane Letters. Since 1982 he has been a full-time writer, publishing 15 books, translated into 23 languages, on subjects ranging from the Dalai Lama to globalism, from the Cuban Revolution to Islamic mysticism. They include such long-running sellers as Video Night in Kathmandu, The Lady and the Monk, The Global Soul, The Open Road and The Art of Stillness. He has also written the introductions to more than 70 other books, as well as liner and program notes, a screenplay for Miramax and a libretto. At the same time he has been writing up to 100 articles a year for Time, The New York Times, The New York Review of Books, the Financial Times and more than 250 other periodicals worldwide. His four talks for TED have received more than 10 million views so far. Since 1992 Iyer has spent much of his time at a Benedictine hermitage in Big Sur, California, and most of the rest in suburban Japan.
“This is a diverse gathering, to be sure . . . a splendid poem by Czeslaw Milosz (‘Whatever evil I had suffered, I forgot’) here, a thoughtful consideration of translation and cultural translocation by Mojave writer Natalie Diaz (‘It is a gift to have a language that English is too small for, since I have a life that English thinks is small’) there; Margarita Engle’s insistence that, our freedoms of thought and writing being muscles, ‘if we don’t use them, they will atrophy, and we won’t be able to defend children against tyranny’ buttressing Albanian novelist Ismail Kadare’s view that belief in literature means knowing that ‘the government which dominates you . . . [and] tyranny itself are a passing nightmare, dead matter, compared to the great order of which you have become initiated as a member.’ And there it is: literature as news that stays news, because timeless couldn’t be more timely.” — Kirkus Reviews “What a vibrant, refreshing anthology this is, full of surprising, distinctive writing from every continent, which has been true for every issue of World Literature Today for decades. Editor Daniel Simon is a tremendous guide to the republic of letters. His enduring curiosity for the art of translation and for new literature from other languages is evident in the dynamic range of styles and approaches included here. From the Mozambican novelist Mia Couto to the Mayan poet Briceida Cuevas Cob, the dynamic range of prose and poetry is indeed a compass to a better direction for our species and for the planet that we share.” — Idra Novey, author of Take What You Need “A double imperative organizes this luminous anthology: movement and rootedness. The vision of world literature that World Literature Today champions enables us to traverse imaginatively over the mountains and across the navigable seas. . . . WLT actively engages with and extends ceaselessly a call to imagine and reimagine the many worlds that literary works bring into presence. A Compass on the Navigable Sea is an illuminating guide and road map for this continuing endeavor.” — Amit R. Baishya, South Asian Review “Transcending the limits of genre, geography, and time period, this superb anthology of world literature deserves a place in every library collection that supports literature and international studies.” — Library Journal “Bringing together a century of world literature, with all its voices, histories, tensions, and contradictions, is an enormous undertaking. What struck me most as I read A Compass on the Navigable Sea is how naturally the pieces speak to one another. The book feels less like a compilation and more like a living conversation across time, language, and geography.” — Yousef Khanfar, award-winning Palestinian writer and photographer “It’s heartening to have collections such as these that gather voices which can still, despite it all, sustain.” — Ilya Kaminsky, author of Deaf Republic “As a poet, translator, editor and professor, Daniel Simon is almost single-handedly keeping our world republic of letters vibrant and alive.” — Frederick Luis Aldama, American Book Review, Spring 2025
