Robert Morris

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Julia Bryan-Wilson (Associate Professor of Modern and Contemporary Art, University of California, Berkeley) George Baker (Associate Professor, University of California, Los Angeles)

Robert Morris

Julia Bryan-Wilson (Associate Professor of Modern and Contemporary Art, University of California, Berkeley), George Baker (Associate Professor, University of California, Los Angeles), Yve-Alain Bois (Institute For Advanced Study) , Benjamin H. D. Buchloh (Harvard University)

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English

MIT Press
09 August 2013

Art & design styles: Postmodernism; Individual artists, art monographs

Series: October Files

Essays, an interview, and a roundtable discussion on the work of one of the most influential American artists of the postwar period.

This October Files volume gathers essays, an interview, and a roundtable discussion on the work of Robert Morris, one of the most influential American artists of the postwar period. It includes a little-known text on dance by Morris himself and a never-before-anthologized but influential catalog essay by Annette Michelson. Often associated with minimalism, Morris (b. 1931) also created important works that involved dance, process art, and conceptualism. The texts in this volume focus on Morris's early work and include an examination of a 1971 Tate retrospective by Jon Bird, an interview with the artist by Benjamin Buchloh, a conversation from a 1994 issue of October about resistance to 1960s art, and an essay by this volume's editor, Julia Bryan-Wilson, on the labor involved in installing the massive works in Morris's 1970 solo exhibition at the Whitney. Spanning 1965 to 2009, these writings map the evolution of critical thought on Morris over more than four decades.

Edited by: Julia Bryan-Wilson (Associate Professor of Modern and Contemporary Art University of California Berkeley)
Series edited by: George Baker (Associate Professor University of California Los Angeles), Yve-Alain Bois (Institute For Advanced Study), Benjamin H. D. Buchloh (Harvard University), Leah Dickerman
Imprint: MIT Press
Country of Publication: United States
Volume: 15
Dimensions: Height: 229mm, Width: 152mm, Spine: 11mm
Weight: 435g
ISBN: 9780262519618
ISBN 10: 0262519615
Series: October Files
Pages: 224
Publication Date: 09 August 2013
Recommended Age: From 18
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

Julia Bryan-Wilson is Associate Professor of Modern and Contemporary Art at the University of California, Berkeley, and the author of Art Workers- Radical Practice in the Vietnam War Era.