Genius, friend, rival: this is the story of four pairs of artists whose intense relationships spurred and shaped their art. Matisse and Picasso. Manet and Degas. Bacon and Freud. De Kooning and Pollock. Eight of the most significant modern artists; four pairs linked by friendship and a shared spirit of competitiveness. But in each case the relationship had a flashpoint, a damaging psychological event that seemed to mark both an end and a beginning, a break that led to audacious creative innovations. Absorbing, informed and provocative, Sebastian Smee's The Art of Rivalry takes us to heart of each of these relationships. It offers revelatory insights into the ways in which these major artists influenced and changed each other:and into their ultimate quest 'to be unique, original, inimitable; to acquire the solitude, the singularity, of greatness'.
The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link 'art' to human skills and human needs. Each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Why are optical projections always going to be more beautiful than HD television can ever be? How have the makers of images depicted movement? What makes marks on a flat surface interesting? Energized by two lifetimes of looking at pictures, combined with a great artist's 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade.
From the early days of steamship travel, artists stifled by the culture of their homelands fled to islands, jungles, and deserts in search of new creative and emotional frontiers. Their flight inspired a unique body of work that doesn't fit squarely within the Western canon, yet may be some of the most original statements we have about the range and depth of the artistic imagination.
Focusing on six principal subjects, Jamie James locates "a lost national school" of artists who left their homes for the unknown. There is Walter Spies, the devastatingly handsome German painter who remade his life in Bali; Raden Saleh, the Javanese painter who found fame in Europe; Isabelle Eberhardt, a Russian-Swiss writer who roamed the Sahara dressed as an Arab man; the American experimental filmmaker Maya Deren, who went to Haiti and became a committed follower of voodoo. From France, Paul Gauguin left for Tahiti; and Victor Segalen, a naval doctor, poet, and novelist, immersed himself in classical Chinese civilisation in imperial Peking.
In The Glamour of Strangeness, James evokes these extraordinary lives in portraits that bring the transcultural artist into sharp relief. Drawing on his own career as a travel writer and years of archival research uncovering previously unpublished letters and journals, James creates a penetrating study of the powerful connection between art and the exotic.
A groundbreaking encyclopedic study of Art Deco sculpture from the 1920s and 1930s by the author of Art Deco Complete.
This book showcases and puts into historical context a host of sculpted works created in the 1920s and 1930s in the decorative vernacular defined loosely today as “Art Deco.” The works shown demonstrate a broad range of styles and influences: from the chevrons, sunbursts, maidens, fountains, floral abstractions, and ubiquitous biche (doe) of the Parisian geometric style to the crisp, angular patterns of the zig-zag, jazz-age, streamlined aesthetic to which architects were drawn towards 1930.
The author organizes his subject into three main categories: the first features work by avant-garde sculptors (Csaky, Janniot, Pompon, and others); the second shows commercial sculpture, comprising mainly large-edition statuary, commissioned by éditeurs d’art and foundries from sculptors as decorative works for the burgeoning 1920s domestic market; while a final, third category covers architectural and monumental sculpture from around the world.
With artists’ biographies, details of manufacturers, a full glossary, and a thematic index, this volume is the essential and authoritative guide for all those interested in the Art Deco style.
1000 illustrations in color and black-and-white.
Michael Jacobs was haunted by Velazquez's enigmatic masterpiece Las Meninas from first encountering it in the Prado as a teenager. In Everything is Happening Jacobs searches for the ultimate significance of the painting by following the trails of associations from each individual character in the picture, as well as his own memories of and relationship to this extraordinary work. From Jacobs' first trip to Spain to the complex politics of Golden Age Madrid, to his meeting with the man who saved Las Meninas during the Spanish Civil war, via Jacobs' experiences of the sunless world of the art history academy, Jacobs' dissolves the barriers between the past and the present, the real and the illusory. Cut short by Jacobs' death in 2014, and completed with an introduction and coda of great sensitivity and insight by his friend and fellow lover of art, the journalist Ed Vulliamy, this visionary, meditative and often very funny book is a passionate, personal manifesto for the liberation of how we look at painting.
Since its first appearance in 1931 Herbert Read's introduction to the understanding of art has established itself as a classic of its kind. It provides a basis for the appreciation of paintings, sculpture and art-objects of all periods by defining the elements that went into their making. A compact survey of the world's art, from primitive cave-drawings to Jackson Pollock, The Meaning of Art explains the persistence of certain principles and aspirations throughout the history of art, and summarizes the essence of such movements as Gothic, Baroque, Impressionism, Expressionism and Surrealism.
The Impressionists were among the first to portray gardens directly from life, focusing on their colour and form rather than using them as a background for historical, religious and literary themes. This book explores the symbiotic relationship that developed during the latter part of the nineteenth century and the first part of the twentieth between artists and gardens, focusing on Monet and the creation of his garden at Giverny. Beautifully illustrated with masterpieces by Monet, his fellow Impressionists and such painters as Bonnard, Sargent, Klee, Kandinsky, Klimt, Matisse and Nolde, Painting the Modern Garden traces the effects of artistic movements and social and political influences on the garden in modern art.
Drawing with graphite and coloured pencils enables the artist to capture every detail of a plant, and to enjoy, study and celebrate their wonderful forms. Whether the illustration is a striking monotone or vibrant with colour, pencils give you absolute precision. The book, written and illustrated by an award-winning botanical artist, introduces and explains the drawing skills behind the art. Each chapter concentrates on a different aspect of the plant, working upwards from the root system to include the stem, leaves, flowers and fruit. Fungi have also been included due to their close association with plants. With tips and advice throughout, the techniques are supported by step-by-step projects, clear exercises and over 300 colour illustrations.
This glorious book allows the reader to revel in Hopper's most well-known and masterful works, reproduced one after the other, often at full page, in full colour; but it also enables you to rediscover the artist, to delve further than the obvious paintings in order to fully understand his motivations, and then to reassess his works in a fresh light. Before the 'Masterpieces' section, some thoughtful text discusses Hopper from a number of angles, laying the groundwork with Life & Times, travelling through the Places that inspired him, examining his key Subjects & Themes, and explaining the Styles & Techniques by which he was influenced or to which he subscribed, not forgetting his lasting legacy. All the while his works are cross-referenced, so you get the most out of the paintings. Whether the treatment of light and sense of place of Lighthouse at Two Lights appeals to your senses, or you are captivated by the untold story of the pensive woman in Automat, Edward Hopper Masterpieces will be a book to treasure and revisit.
Leonardo da Vinci was the original Renaissance Man, an artist, mathematician, inventor and writer amongst his many talents. His skilfull observations of the mechanics of the body informed both his work, and the generations that followed. But his drawings are elegant too, with the gentle features of his female subjects in particular graced with unrivalled care and eloquence. Da Vinci's illustrations lie at the heart of our heritage and this new book offers a breadth and scale that will satisfy both the casual and informed reader.
Lucian Freud was one of the world's greatest realist artists. Working only from life, he once claimed, 'I could never put anything into a picture that wasn't there in front of me.' This revelatory publication features a selection of beautifully reproduced images from his sketchbooks. Most of the sketches - which include works in pencil, pastel and watercolour from across the artist's long career - are published here for the first time.
These fascinating images extend our understanding of Freud's work and demonstrate the scrutiny he brought to his subjects. The sketchbooks, now in the archive of the National Portrait Gallery, London, include portraits of Freud's family members, friends and lovers. Designs for book covers, images of his beloved dogs and horses, landscapes and interiors appear among nudes, still lifes and several sketches that relate to major works.
Around and between the drawings are Freud's annotations and jottings - appointments, racing tips, notes, musings - which, with startling immediacy, provide a glimpse into the working life of one of the twentieth century's most important artists. The book includes an insightful essay by Martin Gayford, who sat for portraits by Freud and knew him well, and an illustrated chronology of the artist's life.
Rembrandt Harmenszoon van Rijn was the leading painter and graphic artist of the 'Golden Age of Dutch Art'. He excelled in imbuing his art with the 'deepest and most lifelike emotion', with rich detail and stunning lighting. This richly enjoyable book gives the reader an illuminating overview of the life, work and influences of the artist, before going on to showcase the most stunning and varied examples of his oeuvre, broken down into themes - Portraits, Landscape & Narrative, Self-portraits, and Etchings & Drawings. Discover his versatility in the range of works selected, from the electric The Storm on the Sea of Galilee to the treasured The Night Watch, with its triumph in chiaroscuro and energy. A visual feast, it will underline the artist's status as a true master.
William Hogarth (1697-1764) was among the first British-born artists to rise to international recognition and acclaim and to this day he is considered one of the country's most celebrated and innovative masters. His output encompassed engravings, paintings, prints, and editorial cartoons that presaged western sequential art. This comprehensive catalogue of his paintings brings together over twenty years of scholarly research and expertise on the artist, and serves to highlight the remarkable diversity of his accomplishments in this medium. Portraits, history paintings, theater pictures, and genre pieces are lavishly reproduced alongside detailed entries on each painting, including much previously unpublished material relating to his oeuvre. This deeply informed publication affirms Hogarth's legacy and testifies to the artist's enduring reputation.
1001 Buildings You Must See Before You Die is the complete yet accessible guide to the architectural masterpieces of the world - a compendium of familiar landmarks and undiscovered gems that will inform and delight everyone with an interest in architecture and travel.
1001 Buildings You Must See Before You Die is a visual testament to the world's greatest achievements in architecture. Comprehensive yet concise, each article includes essential information about the featured structure: who designed it, who commissioned it, key dates in its construction and more. The accompanying descriptions detail the historical and geographical considerations that influenced the design while stunning photographs illustrate the technical ingenuity and aesthetic brilliance of architects past and present.
The book is organised chronologically beginning with the marvels of the ancient world and continuing with the masterpieces of each successive era to the present day. On display is a treasure trove of the world's finest architecture from Byzantine and Gothic wonders, through the incredible wealth of the Renaissance and Baroque, and on to the marvels of the twentieth century. The book culminates with the far-reaching achievements of the past decade, such as Jeanne Gang's undulating Aqua Tower in Chicago and Renzo Piano's towering Shard London Bridge.
Featured here are the world's finest and most important public and residential buildings from palaces, museums and ground-breaking new reidences to unique or unusual structures, such as the ancient Pueblo cliff dwellings and rustic southern Italian trulli.
'Addictive ...a charter for wistfulness' Observer 'An enchanting rabbit hole of handmade houses' The New York Times 'The Bible of pared back, natural living' Der Spiegel 'Take a deep breath and let the inspiration sink in' GQ Cabin Porn began as an on-line project created by a group of friends to inspire their own home building. As they collected more photos, their site attracted thousands of submissions from other cabin builders and a passionate audience of more than ten million people. This book is an invitation to slow down, take a deep breath, and enjoy the beauty and serenity that happens when nature meets simple craft.
Design: The Whole Story takes a close look at the key developments, movements and practitioners of design around the world, from the beginnings of industrial manufacturing to the present day. Organized chronologically, it locates design within its technological, cultural, economic, aesthetic and theoretical contexts. From the high-minded moralists of the 19th century to the radical thinkers of modernism - and from the emergence of showmen such as Raymond Loewy in the 1930s to today's superstars such as Philippe Starck - the book provides in-depth coverage of a subject that touches all our lives. Iconic works that mark significant steps forward or that characterize a particular era or approach - such as Marcel Breuer's Wassily chair of 1925, Eliot Noyes' corporate identity work for IBM in the 1950s and Matthew Carter's Verdana typeface, designed to be read on screen - are analysed in detail, while the text sets out the framework of ideas, intent and technology within which differing approaches to design have evolved. From the cars we drive and the products we buy to the graphics that surround us, we are all consumers of design.
Through a selection of family homes, Darren Palmer gives us an insight into their occupants' relationship to their living spaces, providing information as well as solutions to questions we may have about what some of our own design challenges may currently be, or may be in the future. Whether single parents with one child, married couples with kids, older working couples with grown children and grandchildren, middle-aged couples with no kids and no pets - our lives have different demands, and our homes reflect this, in every way. Each family group will have a different set of needs and challenges; the associated constraints, requirements and solutions resulting in specially designed spaces that are as individual as all the people living within them...Darren's book demonstrates in engaging, information-filled text and stunning photography that we can draw inspiration and practical solutions from the way different families have tailored various interior design elements - storage, lighting, furniture, materials, larger and smaller spaces - to their unique brief. In HomeSpace, we'll find out what makes people happy and fulfilled through the homes they have created, homes that work to support the family in their lives.
Part of a new series of beautiful gift art books, Art Deco Fashion: Masterpieces of Art highlights artworks from fashion illustrators of the era that was characterized by the allure of modernity, progression, women's liberation, and luxury - leading to the short hemlines and androgyny of the Flapper, the outdoorsy Sporty girl and Silver Screen goddesses. Beginning with a fresh and thoughtful introduction to the Art Deco movements and its influence upon fashion, the book features all the best known Art Deco fashion masterpieces, including works by renowned artists such as Georges Barbier, Paul Iribe and Erte.
Covering everyone from Azzedine Alaia to Yohji Yamamoto, and everything from Boho Chic to Space Age style, this is an indispensible and delightful guide to the creative world of fashion. This encyclopedic volume contains over 150 entries on designers and styles, with multiple images and a comprehensive text for each one. It is a reliable, up-to-date reference work as well as an inspirational showcase, with over 500 photographs and original illustrations. Whether you want to know about the most creative designers or the most successful brands, luxurious haute couture or innovative youth countercultures, this guide includes all of the designers, movements and style icons that have created the history of international fashion from the 1860s all the way to today.
A historical sourcebook Combining the works of the classic nineteenth-century illustrators Auguste Racinet and Friedrich Hottenroth with an authoritative modern text, this book is a study of the rich vocabulary of style through the ages. Subjects are presented first by chronology and then by subject, so that illustrators, historians and students alike can choose to follow the development of fashion through the centuries, or study individual styles, items and accessories. *A comprehensive visual study of the rich vocabulary of clothing and style through the ages, Fashion Details is an essential resource for costume designers, historians, actors, directors - anyone with an interest in fashion. *This invaluable sourcebook includes authoritative narrative from leading experts in the history of costume, contemporary quotes that reveal the impact of styles in their day, detailed annotation and an extensive glossary. *From the Ancient World through to nineteenth century Europe, by way of Asia, Africa, Oceania and the Americas, this journey through historical costume is elegantly illustrated with images drawn from a variety of sources.
Edward Burtynsky (b. 1955) is one of a generation of photographers, including Andreas Gursky and Thomas Struth, who seek to portray the visible outcomes of a globalized economy and humankind's impact upon environments around the world. He has achieved global recognition with his large-scale photographs and project-based monographs, such as Quarries, Oil and Water, all of which have resulted in popular touring exhibitions and, in the case of Water, a feature-length documentary film entitled Watermark.
However, while Burtynsky's global standing is without question, no comprehensive retrospective of his career to date exists. Edited and curated by William A. Ewing, Edward Burtynsky: Essential Elements provides an overview of Burtynsky's work across four decades, including both iconic images and previously unpublished photographs. It dissolves previous project-based definitions to set out Burtynsky's oeuvre as five free-flowing sections that provide a sense of both his visual language and his exploration of the dilemmas at the heart of our globalized world.
Each of the five sections is interleaved with a selection of texts from previous publications and articles on Burtynsky that work in concert with the photographs to provide a complete understanding of Burtynsky's view of the world. With an introduction by William A. Ewing and an essay by Joshua Schuster, this book provides both an entirely new way of seeing Burtynsky's work for those who already follow his career and an accessible introduction for those encountering his photographs for the first time.