ABBEY'S CHOICE JULY 2015 ----- In this delightful collection forty acclaimed writers explain what first made them interested in literature, what inspired them to read and what makes them continue to do so.
First published in 1992 in hardback only, original contributors include Margaret Atwood, J. G. Ballard, Melvyn Bragg, A. S. Byatt, Carol Ann Duffy, Simon Gray, Germaine Greer, Alan Hollinghurst, Doris Lessing, Candia McWilliam, Edna O'Brien, Ruth Rendell, Tom Stoppard, Sue Townsend and Jeanette Winterson. The new edition will include essays from five new writers, Emily Berry, Kamila Shamsie, Rory Stewart, Katie Waldegrave and Tom Wells.
Royalties generated from this project will go to Give a Book, www.giveabook.org.uk, a charity set up in 2011 that seeks to get books to places where they will be of particular benefit. Give a Book works in conjunction with Age UK, Prison Reading Groups, Maggie's Centres, which help people affected by cancer, and various schools and literacy projects, such as Beanstalk, where many pupils have never had a book of their own in their lives.
Every gardener needs to know their Latin names. They may look confusing at first, but once you understand what certain key words mean, impenetrable-sounding and hard-to-pronounce species names are suddenly demystified.
Many Latin names hide the secrets of where the plant is found, its colour, flowering times, leaf pattern, natural habitat and all sorts of other information that's extremely useful to the gardener: if you want a plant for a shady place, choose one with a name ending in sylvestris ('of woods'), while if your garden is dry, look out for the suffix epigeios ('of dry places').
More than just a dictionary of plant names, this fascinating book explains the meaning of hundreds of Latin plant terms, grouped into handily themed sections such as plants that are named after famous women, plants that are named after the shape of their leaves, plants that are named after their fragrance or the time of year that they flower.
Within these pages you'll learn that Digitalis purpurea (the common foxglove) is purple, that the sanguineum in Geranium sanguineum means 'bloody' (its common name is the bloody cranesbill), and to steer clear of any plant whose Latin name ends in infestus.
Before there was Arthur Conan Doyle's Sherlock Holmes, there was Fergus Hume's The Mystery of a Hansom Cab - the biggest- and fastest-selling detective novel of the 1800s, and Australia's first literary blockbuster. Fergus Hume was an aspiring playwright when he moved from Dunedin to Melbourne in 1885. He wrote The Mystery of a Hansom Cab with the humble hope of bringing his name to the attention of theatre managers. The book sold out its first run almost instantly and it became a runaway word-of-mouth phenomenon - but its author sold the copyright for a mere fifty pounds, missing out on a potential fortune. Blockbuster! is the engrossing story of a book that would help define the genre of crime fiction, and a portrait of a great city in full bloom. Rigorously researched and full of arresting detail, this captivating book is a must-read for all fans of true crime, history and crime fiction alike.
C.S. Lewis is the twentieth century's most widely read Christian writer and J.R.R. Tolkien its most beloved mythmaker. For three decades, they and their closest associates formed a literary club known as the lnklings, which met weekly in Lewis's Oxford rooms and a nearby pub. They read aloud from works in progress, argued about anything that caught their fancy, and gave one another invaluable companionship, inspiration, and criticism.
In The Fellowship, Philip and Carol Zaleski offer the first complete rendering of the lnklings' lives and works. Lewis maps the medieval mind, accepts Christ while riding in the Sidecar of his brother's motorcycle, becomes a world-famous evangelist and moral satirist, and creates new forms of religiously attuned fiction while wrestling with personal crises. Tolkien transmutes an invented mythology into a breathtaking story in The Lord of the Rings, while conducting groundbreaking Old English scholarship and elucidating the Catholic teachings at the heart of his vision.
This extraordinary group biography also focuses on Charles Williams, strange acolyte of Romantic love, and Owen Barfield, an esoteric philosopher who became, for a time, Saul Bellow's guru. Romantics who scorned rebellion, fantasists who prized sanity, Christians with cosmic reach, the lnklings sought to revitalize literature and faith in the twentieth century's darkest years - and did so.
If you're logofascinated, you are literally spellbound by language. This surprising compendium of 1,000 facts about words, language and etymology is here to inspire your curiosity and delight in discovery.
In Word Drops, you can delve into a smattering of unexpected connections and weird juxtapositions, stumble upon a new or remarkable word, or learn of many a bizarre etymological quirk or tall tale. Did you know that the bowl made by cupping your hands together is called a gowpen? And speaking of bowls, the earliest known reference to bowling in English dates from 1555, when bowling alleys were banned by an Act of Parliament. And that ties in nicely with the fact that the English called the Germans 'Alleymen' during the First World War. But in Navajo, Germany is called Beesh Bich'ahii Bikeyah - or 'metal cap-wearer land'.
Word Drops is a language fact book unlike any other, its linguistic tidbits all falling together into one long interconnected chain - just like the example above - with each fact neatly 'dropping' into place beside the next.What's more, throughout, footnotes are used to give some informative and intriguing background to some of the most bizarre facts, covering everything from traditional Inuit games to the origin of the Bellini cocktail, from the precise length of one 'jiffy' to what the Romans thought hoopoe birds ate, and from what to expect on a night out with Dr Johnson to Samuel Pepys's cure for a hangover.
What do the whole kit and caboodle, the whole shebang, the whole megillah, the whole enchilada, the whole nine yards, the whole box and dice, and the full Monty have in common? They're all expressions that mean the entire quantity, and they're all examples of the breadth and depth of the English-speaking world's vocabulary.
From the multitude of words and phrases in daily use, the author of this delightful exploration into what we say and why we say it zeroes in on those expressions and sayings and their variations that are funny, quirky, just plain folksy, or playfully dressed up in rhyme or alliteration. Some may have become cliches that, as it's said with tongue in cheek, should be avoided like the plague. Others have been distorted, deemed politically incorrect, or shrouded in mystery and must bear some explanation.
Among the topics the author delves into are expressions that shouldn't be taken literally (dressed to kill and kick the bucket), foreign expressions that crept into English (carte blanche, carpe diem, and que sera, sera), phrases borrowed from print ads and TV commercials (where there's life, there's Bud and where the rubber meets the road), animal images (a barrel of monkeys and chasing your tail), and food and drink (cast your bread upon the water, chew the fat, bottom's up, and drink as a lord).
Here's a book for everyone who delights in the mysteries of language and the perfect gift for all the wordies in your life.
Brimming with the fascinating eccentricities of a complex and confusing movement whose influences continue to resonate deeply, 30 Great Myths About the Romantics adds great clarity to what we know or think we know about one of the most important periods in literary history.
Explores the various misconceptions commonly associated with Romanticism, offering provocative insights that correct and clarify several of the commonly-held myths about the key figures of this era. Corrects some of the biases and beliefs about the Romantics that have crept into the 21st-century zeitgeist for example that they were a bunch of drug-addled atheists who believed in free love; that Blake was a madman; and that Wordsworth slept with his sister. Celebrates several of the mythic objects, characters, and ideas that have passed down from the Romantics into contemporary culture from Blake s Jerusalem and Keats s Ode on a Grecian Urn to the literary genre of the vampire.
Engagingly written to provide readers with a fun yet scholarly introduction to Romanticism and key writers of the period, applying the most up-to-date scholarship to the series of myths that continue to shape our appreciation of their work
The author of the immortal Lolita and Pale Fire, born to an eminent Russian family, conjures the apotheosis of the high modernist artist: cultured, refined-as European as they come. But Vladimir Nabokov, who came to America fleeing the Nazis, came to think of his time here as the richest of his life.
Indeed, Nabokov was not only happiest here, but his best work flowed from his response to this exotic land. Robert Roper fills out this period in the writer's life with charm and insight- covering Nabokov's critical friendship with Edmund Wilson, his time at Cornell, his role at Harvard's Museum of Comparative Zoology. But Nabokov in America finds its narrative heart in his serial sojourns into the wilds of the West, undertaken with his wife, Vera, and their son over more than a decade. Nabokov covered more than 200,000 miles as he indulged his other passion: butterfly collecting. Roper has mined fresh sources to bring detail to these journeys, and traces their significant influence in Nabokov's work: on two-lane highways and in late-'40s motels and cafes, we feel Lolita draw near, and understand Nabokov's seductive familiarity with the American mundane.
Nabokov in America is also a love letter to U.S. literature, in Nabokov's broad embrace of it from Melville to the Beats. Reading Roper, we feel anew the mountain breezes and the miles logged, the rich learning and the Romantic mind behind some of Nabokov's most beloved books.
Stuff I've Been Reading by Nick Hornby - the bestselling novelist's rich, witty and inspiring reading diary. 'Read what you enjoy, not what bores you,' Nick Hornby tells us. And in this new collection of his columns from the Believer magazine he shows us how it's done. From historical tomes to comic books, literary novels to children's stories, political thrillers to travel writing, Stuff I've Been Reading details Nick's thoughts and experiences on books by George Orwell, J.M. Barrie, Muriel Spark, Claire Tomalin, Charles Dickens, Mark Twain, Jennifer Egan, Ian McEwan, Cormac McCarthy and many, many more. This wonderfully entertaining journey in reading differs from all other reviews or critical appreciations - it takes into account the role that books actually play in our lives. This book, which is classic Hornby, confirms the novelist's status as one of the world's most exciting curators of culture. It will be loved by fans of About a Boy and High Fidelity, as well as readers of Will Self, Zadie Smith, Stewart Lee and Charlie Brooker.
In For Freedom's Sake: Jack Davis - a retrospective, John Kinsella weaves together selected poems by one of Australia's most honoured and acclaimed playwrights and poets. Kinsella's introduction to this curated collection of Davis' work provides a rich perspective on the work of this significant poet up until his passing in 2000.
'I pick a grain of her, stolen from the urn place it on my tongue. Her body. My blood. She lodges in me.' Bereft after her grandmother's death, Krissy Kneen began writing these poems in an attempt to make sense of her loss. This powerful work offers a kaleidoscope of fitful dreams, tender memories and heart-struck musings that shine new light on our own mortality.
A wonderful anthology of poetry celebrating the British coastline and life above and below the deep blue sea. Verses from our best-loved authors - such as WB Yeats, RL Stevenson and Rudyard Kipling - are accompanied by beautiful illustrations of idyllic days at sea, haunted shipwrecks and tempestuous storms. Sea shanties and siren's songs sit alongside the classic song from The Tempest and Coleridge's 'The Rime of the Ancient Mariner' in this beautiful anthology of the mystical world beneath the waves.
Ali Cobby Eckermann, a Yankunytjatjara/Kokatha poet, is at the forefront of Australian Indigenous poetry. Inside My Mother is both a political and personal collection, angry and tender, propelled by the need to remember yet brimming with energy and vitality - qualities that distinguished her previous, prize-winning verse novel, Ruby Moonlight. Tributes to country, to her elders, and to the animals and spirits that inhabit the landscape, coupled with the rhythms of mourning and celebration that pulse through the poems, make this a moving and personal collection. Grief is deeply felt and vividly portrayed in poems such as 'Inside My Mother' and 'Lament'. There is defiance and protest in 'Clapsticks' and 'I Tell You True'. In the final section there is a marked generational shift as the elders begin to pass away and the poet as grandmother comes to accept her rightful place as matriarch.
When Chaucer composed Troilus and Criseyde he gave us, some say, his finest poem, and with it one of the most captivating love stories ever written. A Double Sorrow, Lavinia Greenlaw's new work, takes its title from the opening line of that poem in a fresh telling of this most tortured of love affairs.
Set against the Siege of Troy, A Double Sorrow is the story of Trojan hero Troilus and his beloved Criseyde, whose traitorous father has defected to the Greeks and has persuaded them to ask for his daughter in an exchange of prisoners. In an attempt to save her, Troilus suggests that Criseyde flees the besieged city with him, but she knows that she will be universally condemned and looks instead to a temporary measure: pretending to submit to the exchange, while promising Troilus that she will return to him within ten days.
But once in the company of the Greeks she soon realises the impossibility of her promise to Troilus, and in despair succumbs to another.
Lavinia Greenlaw's pinpoint retelling of this heart-wrenching tale is neither a translation nor strictly a 'version' of Chaucer's work, but instead creates something new: a sequence of glimpses from the medieval poem that refine the psychological drama of the classical story through a process of detonation or amplification of image and phrase into original poems. In a series of skillfully crafted seven-line vignettes, the author creates a zoetrope that serves to illuminate the intensity with which these characters argue each other and themselves into and out of love.
The result is a breathtaking and shattering read -contemporary and timeless - that builds into an unforgettable telling of this most heartbreaking of love stories.
The Millionaire and the Bard tells the miraculous and romantic story of the making of the First Folio, and of the American industrialist whose thrilling pursuit of the book became a lifelong obsession. When Shakespeare died in 1616 half of his plays died with him. No one - not even their author - believed that his writings would last, that he was a genius, or that future generations would celebrate him as the greatest author in the history of the English language.
By the time of his death his plays were rarely performed, eighteen of them had never been published, and the rest existed only in bastardized forms that did not stay true to his original language. Seven years later, in 1623, Shakespeare's business partners, companions, and fellow actors, John Heminges and Henry Condell, gathered copies of the plays and manuscripts, edited and published thirty-six of them.
This massive book, the First Folio, was intended as a memorial to their deceased friend. They could not have known that it would become one of the most important books ever published in the English language, nor that it would become a fetish object for collectors.
The Millionaire and the Bard is a literary detective story, the tale of two mysterious men - a brilliant author and his obsessive collector - separated by space and time. It is a tale of two cities - Elizabethan and Jacobean London and Gilded Age New York. It is a chronicle of two worlds - of art and commerce - that unfolded an ocean and three centuries apart. And it is the thrilling tale of the luminous book that saved the name of William Shakespeare to the last syllable of recorded time.
Othello has long been, and remains, one of Shakespeare's most popular works. It is a favourite work of scholars, students, and general readers alike. Perhaps more than any other of Shakespeare's tragedies, this one seems to speak most clearly to contemporary readers and audiences, partly because it deals with such pressing modern issues as race, gender, multiculturalism, and the ways love, jealousy, and misunderstanding can affect relations between romantic partners. The play also features Iago, one of Shakespeare's most mesmerizing and puzzling villains. This guide offers students and scholars an introduction to the play's critical and performance history, including notable stage productions and film versions. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further research.
Rome was a recurring theme throughout Shakespeare's career, from the celebrated Julius Caesar, to the more obscure Cymbeline. In this book, Paul Innes assesses themes of politics and national identity in these plays through the common theme of Rome. He especially examines Shakespeare's interpretation of Rome and how he presented it to his contemporary audiences. Shakespeare's depiction of Rome changed over his lifetime, and this is discussed in conjunction with the emergence of discourses on the British Empire.Each chapter focuses on a play, which is thoroughly analysed, with regard to both performance and critical reception. Shakespeare's plays are related to the theatrical culture of their time and are considered in light of how they might have been performed to his contemporaries. Innes engages strongly with both the plays the most current scholarship in the field.
In this new offering from Stanley Wells, the pre-eminent Shakespearian scholar, comes a Very Short Introduction to the life and writings of the world's greatest and best-known dramatists: William Shakespeare. Looking at his early life and education, Wells explores Shakespeare's social and intellectual background and the literary traditions on which Shakespeare drew. Examining the theatres and theatrical profession of the time, he also considers how Shakespeare experienced this world, both as an actor and as a writer. Examining Shakespeare's narrative poems, sonnets, and all of his plays, Wells outlines their sources, style, and originality over the course of Shakespeare's career, to consider the fundamental impact his work has had for subsequent generations. Written with enthusiasm and flair by a scholar who has devoted a lifetime to the study of Shakespeare and his works, this is an engaging and authoritative introduction.
This collection of translated tales is from the most famous work in all of Japanese classical literature - the Konjaku Monogatari Shu.
This collection of traditional Japanese folklore is akin to the Canterbury Tales of Chaucer or Dante's Inferno - powerfully entertaining tales that reveal striking aspects of the cultural psychology, fantasy, and creativity of medieval Japan - tales that still resonate with modern Japanese readers today. The ninety stories in this book are filled with keen psychological insights, wry sarcasm, and scarcely veiled criticisms of the clergy, nobles, and peasants alike - suggesting that there are, among all classes and peoples, similar failings of pride, vanity, superstition and greed - as well as aspirations toward higher moral goals.
This is the largest collection in English of the Konjaku Monogatari Shu tales ever published in one volume. It presents the low life and the high life, the humble and the devout, the profane flirting, farting and fornicating of everyday men and women, as well as their yearning for the wisdom, transcendence and compassion that are all part and parcel of our shared humanity.
Stories Include: The Grave of ChopsticksRobbers Come to a Temple and Steal Its BellThe Woman Fish Peddler at the GuardhouseFish are Turned into the Lotus SutraA Dragon is Caught by a Tengu GoblinThe Monk Tojo Predicts the Fall of Shujaku GateWasps Attack a Spider in Revenge
Published for the first time in a faithful English translation, Unknown Soldiers is the story of a platoon of ordinary Finnish soldiers fighting their Soviet Union counterparts during the Second World War. Drawing on Linna's own wartime experiences, this gritty and realistic account shatters the myth of the noble, obedient Finnish soldier.
This 1857 sequel to The Warden wryly chronicles the struggle for control of the English diocese of Barchester. It opens with the Bishop of Barchester lying on his death bed; soon a battle begins over who will take over power, with key players including the rather incompetent Dr Proudie, his fiendishly unpleasant wife and his slippery curate, Slope. This is a wonderfully rich novel, in which men and women are too shy to tell each other of their love; misunderstandings abound; and Church of England officials are only too willing to undermine each other in the battle for power. One of Trollope's best-loved novels, it is a dazzlingly real portrayal of nineteenth-century provincial England peppered with humour, wisdom and extraordinary characters.
Doctor Thorne was considered by Trollope to be the best of his works - a profound examination of the relationship between money and love, as it shifts away from the city of Barchester to a more rural setting. Frank Gresham is bankrupt and in love. Unfortunately, the woman he loves, Mary Thorne, is illegitimate and broke. Frank's overbearing mother is against the match, insisting that Frank marry a wealthy heiress. Meanwhile, Doctor Thorne, Mary's uncle, knows a secret that could change everything - Mary is about to inherit a considerable fortune. But he wants the young lovers to make their decision unburdened by the knowledge. Will Frank succumb to family pressure, or go with his heart?
This selection of John Donne's most powerful prose shows that the man remembered predominantly for his poetry was also a preacher, and a prose writer of extraordinary power. In it, he explores the metaphysical collision between poetry and religion, suicide and duty, the secular and the spiritual that characterized his times. It is edited with an introduction and notes by Neil Rhodes.
Wuthering Heights is a story of the dark and tumultuous love affair between Catherine Earnshaw and Heathcliff... Heathcliff, a young orphan, is adopted by Catherine Earnshaw's father. Treated unkindly by her brother, Hindley, Heathcliff is at first protected by the elderly Mr Earnshaw. When the elder Earnshaw passes away, Heathcliff is hurt and betrayed by both brother and sister, and leaves... until the day he returns to exact his revenge. Emily Bronte's demonic and brooding creation, Heathcliff, and the love-affair between him and Catherine, has fascinated and entranced readers for generations. It is a classic of gothic literature.
Join the world's greatest fictional detective and use your own powers of deduction to solve these ingenious enigmas. This remarkable collection features all kinds of puzzles to suit all tastes. You know my methods, apply them. (Sherlock Holmes).
This unique and authoritative dictionary contains over 1,100 of the most widely used proverbs in English, utilizing the latest research from Oxford Dictionaries to source them. This edition has been thoroughly revised and updated, broadening the cultural range of the proverbs selected, and covering sayings of international origins. With a strong emphasis on concisely explaining the meaning of the proverbs described, the dictionary also provides additional examples of usage, and includes a fascinating history for many entries. Arranged in A-Z order and with a useful thematic index, A Dictionary of Proverbs is ideal for browsing and perfectly suited for quick reference. Look up your old favourites, learn punchy new expressions to get your point across, and find the answer to that crossword clue. It is never too late to learn: find proverbs relevant to every aspect of life in this entertaining and informative collection.
This time-tested classic - first published more than sixty years ago - has helped millions achieve mastery of English. Word Power Made Easy is the most effective vocabulary builder in the English language. It provides a simple, step-by-step method for increasing knowledge and mastery of written and spoken English. Arranged in thematic sections - on everything from how to flatter friends and insult enemies to how to talk precisely about science and medicine - the book is written in a lively, accessible, and often humorous style, presenting ideas and a method of broadening your knowledge as an integral part of vocabulary-building. The author delves into etymology to arm the reader to decode unfamiliar words, provides phonetic pronunciations, gives tips on avoiding common spelling errors, and offers useful sections on which fussy, old-fashioned grammar rules are valid and which are outdated or misguided and can be safely ignored. Loaded with helpful reviews, progress checks, and quizzes to reinforce the material, this classic resource has helped millions learn to speak and write with greater sophistication.
This colourful little book of uplifting quotes and tailored tips delivers motivational sparks and creative signposts for writers. Read it, write on it, put it in a frame on your desk - whatever you do with it, the aim is simple: to get you writing!
This new, fully updated edition of The Crime Writer's Guide to Police Practice and Procedure is the essential detective in your pocket - something to reach for when your writing needs that short, sharp shock of modern-day investigating. Every writer has paused at some key point in the development of their story to wonder what happens in real life. How would the murder in my story be investigated by the police? How far can I go without leaving holes in the plot? Can I use low count DNA to identify the killer? How does a cop react to a bloated body or, even worse, just part of one? Written with answers to these questions in mind, this is the essential guide to police procedures and practice written specifically for writers. A handy reference book to dip into, or a textbook to guide you from the outset while you are still developing your plot, this second edition of The Crime Writer's Guide to Police Practice and Procedure will leave you confident that you have covered all angles of your thriller. It would be a crime not to read it!
One of the most popular Latin texts on the market, Learn to Read Latin focuses on helping school and university students to acquire the skills to read and appreciate the great works of Latin literature. It not only presents basic Latin morphology and syntax with clear explanations and examples, but also offers direct access to original, unaltered Latin writings. As beginning students learn basic forms and grammar, they also gain familiarity with patterns of Latin word order and other features of style. This second edition - which now combines the first and second parts into a single textbook - improves upon an already strong foundation by streamlining grammatical explanations, adding points about Latin syntax, and offering an ancillary website with quizzes, texts and a teacher's guide.
Pantomime was arguably the most popular dramatic genre during the Roman Empire, but has been relatively neglected by literary critics. Seneca's Tragedies and the Aesthetics of Pantomime adds to our understanding of Seneca's tragic art by demonstrating that elements which have long puzzled scholars can be attributed to the influence of pantomime.
The work argues that certain formal features which depart from the conventions of fifth-century Attic drama can be explained by the influence of, and interaction with, this more popular genre. The work includes a detailed and systematic analysis of the specific pantomime-inspired features of Seneca's tragedies: the loose dramatic structure, the presence of running commentaries (minute descriptions of characters undergoing emotional strains or performing specific actions), of monologues of self-analysis, and of narrative set-pieces. Relevant to the culture of Roman imperial culture more generally, Seneca's Tragedies and the Aesthetics of Pantomime includes an outline of the general features of pantomime as a genre.
The work shows that the influence of sub-literary-genres such as pantomime and mime, the sister art of pantomime, can be traced in several Roman writers whose literary production was antecedent or contemporary with Seneca's. Furthermore, the work sheds light on the interaction between sub-literary genres of a performative nature such as mime and pantomime and more literary ones, an aspect of Latin culture which previous scholarship has tended to overlook.
Seneca's Tragedies and the Aesthetics of Pantomime provides an original contribution to the understanding of the impact of pantomime on Roman literary culture and of controversial and little-understood features of Senecan tragedies.
Sallust, Gaius Sallustius Crispus (86–35 BCE), a Sabine from Amiternum, acted as tribune against Cicero and Milo in 52, joined Caesar after being expelled from the Senate in 50, was restored to the Senate by Caesar and took part in his African campaign as praetor in 46, and was then appointed governor of New Africa (Numidia). Upon his return to Rome he narrowly escaped conviction for malfeasance in office, retired from public life, and took up historiography.
Sallust’s last work, the annalistic Histories in five books, is much more expansive than his monographs on Catiline and Jugurtha (LCL 116), treating the whole of Roman history at home and abroad in the post-Sullan age. Although fragmentary, it provides invaluable information and insight about a crucial period of history spanning the period from 78 to around 67 BCE.
Although Sallust is decidedly unsubtle and partisan in analyzing people and events, his works are important and significantly influenced later historians, notably Tacitus. Taking Thucydides as his model but building on Roman stylistic and rhetorical traditions, Sallust achieved a distinctive style, concentrated and arresting; lively characterizations, especially in the speeches; and skill at using particular episodes to illustrate large general themes.
For this volume, which completes the Loeb Classical Library edition of Sallust’s works, John T. Ramsey has freshly edited the Histories and the two pseudo-Sallustian Letters to Caesar, supplying ample annotation.