ABBEY'S CHOICE MARCH 2015 ----- After exploring the idea of home, where and what it is in A First Place, what does it mean to be a writer and where writing begins in The Writing Life, David Malouf moves on to words and music and art and performance in Being There.
With pieces on the Sydney Opera House - then and now - responses to art, artists and architects, and including Malouf's not previously published libretti for Voss and a translation of Hippolytus, this is an unmissable and stimulating collection of one man's connection to the world of art, ideas and culture.
Topography, geography, history. Multiculturalism, referendums, the constitution and national occasions. Parental and grandparental romances, the sensual and bountiful beauty of Brisbane, the mysterious offerings of Queenslander houses, and leaving home. The idea of a nation and the heart of its people. Being Australian and Australia's relationship to the world. Putting ourselves on the map.
All these subjects, and more, are explored from the generous, questioning and original perspective of David Malouf. At the heart of these pieces is the idea of home, where and what it is. What they illustrate is the formation of a man, an Australian and one of the best writers this country has produced.
In this book Kel Richards tells the story (with a lively narrative) of the birth, rise and triumphant progress of the colourful dingo lingo that we know today as Aussie English.
The English language arrived in Australia with the first motley bunch of European settlers on 26 January 1788. Today there is clearly a distinctive Australian regional dialect with its own place among the global family of 'Englishes'. How did this come about? Where did the distinctive pattern, accent, and verbal inventions that make up Aussie English come from?
Where does the ampersand get its name from? What does the hashtag have to do with commerce in ancient Rome?
Keith Houston gives the answers in this delightfully entertaining book. From the pilcrow to the ampersand, the entire cast of Shady Characters reflects the changes in written communication through the ages, charting how punctuation has adapted to each new technological innovation. Together, these shady characters form a rich, entertaining and surprising history of the written word and our ongoing attempts to shape it.
In Windows on the World, architect and artist Matteo Pericoli explores the idea of staring out a window, searching for inspiration by pairing his own line drawings alongside fifty writers from around the globe. From Orhan Panuk in Istanbul and Daniel Kehlmann in Berlin, to Chimamanda Ngozi Adichie in Lagos and Xi Chuan in Beijing, the views from each window resonate with each other.
It will blow a hole in the well-guarded prison of English Literature' The Quarterly Review, 1922.
The Most Dangerous Book tells the painful yet exhilirating story of how Joyce's novel was conceived, written, published, burned, acclaimed and excoriated before taking its place as a masterpiece of world literature. Joyce's book ushered in the modernist era and changed the novel forever. But, for more than a decade, Ulysses was illegal to own, sell, advertise or purchase. Joyce himself was a penniless outcast, reliant on his faithful supporters to keep both himself and his family going. After decades of research, Kevin Birmingham brings this remarkable story to life: from the first stirrings of inspiration in 1904 to the landmark federal obscenity trial in 1933.
With a new commentary by David Carpenter No free man shall be seized or imprisoned, or stripped of his rights or possessions, or outlawed or exiled, or deprived of his standing in any other way, nor will we proceed with force against him, or send others to do so, except by the lawful judgment of his equals or by the law of the land. Magna Carta is probably the most famous declaration in western legal history. Wrested by rebellious barons from a very reluctant King John, it set out a series of rights and duties which have been appealed to, ignored, suppressed and argued about ever since. 2015 is the 800th anniversary of Magna Carta's creation - an event which will be marked with exhibitions, commemorations and debates in all the countries over whose constitutions and legal assumptions the shadow of Magna Carta hangs.
Celebrate sixty years of jaw-dropping records. From the oldest person who ever lived (at 122) to the first music video filmed in space, from the tallest self-built castle to the fastest blindfolded text message - the most amazing feats from around the world can be found in this special diamond anniversary edition.
Guinness World Records 2015 presents the most astonishing and exciting record breakers ever. Filled with don't-try-this-at-home human exploits, natural and technological wonders, incredible achievements in sports and entertainment, and much more, this fully updated edition introduces thrilling new records and extraordinary facts that will fascinate young and old alike.
Do you really need to post every day to make your blog a success? Is it true you should never steal stuff? Can anyone make money from a blog? Blogging hasnt been around for ever, and yet any blogger will tell you there are rules what to do, what not to do, the facts. But where did they come from? And should we be breaking them? Designed for bloggers of all levels of experience, this book takes a hard look at twenty-eight of the blogospheres golden rules and shows you when, why and how to break them. Illustrated with real-life Blogger Stories and examples plus Expert Comments from those whove learned the hard way, The Golden Rules of Blogging (and When to Break Them) will give you a fresh perspective on blogging. Out with the rules? You decide!
In this Very Short Introduction, Peter Hainsworth and David Robey take a different approach to Dante, by examining the main themes and issues that run through all of his work, ranging from autobiography, to understanding God and the order of the universe. In doing so, they highlight what has made Dante a vital point of reference for modern writers and readers, both inside and outside Italy. They emphasize the distinctive and dynamic interplay in Dante's writing between argument, ideas, and analysis on the one hand, and poetic imagination on the other. Dante was highly concerned with the political and intellectual issues of his time, demonstrated most powerfully in his notorious work, The Divine Comedy.
Tracing the tension between the medieval and modern aspects, Hainsworth and Robey provide a clear insight into the meaning of this masterpiece of world literature. They highlight key figures and episodes in the poem, bringing out the originality and power of Dante's writing to help readers understand the problems that Dante wanted his audience to confront but often left up to the reader to resolve.
ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
The Oxford Inklings tells the story of the friendships, mutual influence, and common purpose of the Inklings - the literary circle which congregated around C.S. Lewis and J.R.R. Tolkien. Meeting in pubs or Lewis's college rooms, they included an influential array of literary figures. They were, claimed poet and novelist John Wain, bent on the task of redirecting the whole current of contemporary art and life . Tolkien and Lewis expert Colin Duriez unpacks the Inklings' origins, relationships, and the nature of their collaboration. He shows how they influenced, encouraged, and moulded each other. Duriez also covers the less celebrated Inklings, neglected, he claims, for too long. What did they owe - and offer - to the more acknowledged names? What brought them together? And what, eventually, drove them apart from their initial focus upon each other's writings?
Each book is a creation of genius and inventiveness, and their design and illustration represent such diverse trends as the Russian Constructivists, Italian Futurists and Postwar Neo-romantics. They are also mirrors of their times reflecting social concerns from a child's and family's perspectives throughout the twentieth and into the twenty-first century. Fearlessly confronting the frontiers between a child's picturebook and art, this is a collection of books that anyone with an interest in design, illustration or simply children's literature should know about.
Ladybird By Design is a fascinating look at the social and design history of the well-known publisher Ladybird Books, released to celebrate 100 years since the familiar ladybird was first registered as a logo in 1915. Ladybird by Design charts the rise of the company that was initially known as Wills & Hepworth, from its origin as a small Loughborough printer to its growth into a global publisher beloved by millions of children, teachers and parents. It delves into the stories behind the beautiful art and design of the iconic mini hardback books that have adorned children's bookshelves for generations, and explores the career of Editorial Director Douglas Keen, who commissioned many of the books from the 1950s to the 70s, as well as those of the artists who brought them to life. In addition to a range of classic covers and images from books, Ladybird By Design also contains a selection of rare photographs and artwork, and includes sections on favourite series such as Well-Loved Tales, Nature, How it Works, Key Words, Junior Science, Hobbies and Interests, People at Work and Adventures from History, through to information on the exciting books still being published by Ladybird today. Written by Professor Lawrence Zeegen, a well-known illustrator and Dean of the School Design at the London College of Communication.
What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and the development of her writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have seen fit to assume, what roles they have chosen to play. In her final chapter she takes up the challenge of the book's title: if a writer is to be seen as 'gifted', who is doing the giving and what are the terms of the gift? Margaret Atwood's wide and eclectic reference to other writers, living and dead, is balanced by anecdotes from her own experiences as a writer, both in Canada and on the international scene. The lightness of her touch is underlined by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of western literature.
The last thirty years have witnessed one of the most fertile periods in the history of children's books: the flowering of imaginative illustration and writing, the Harry Potter phenomenon, the rise of young adult and crossover fiction, and books that tackle extraordinarily difficult subjects. The Oxford Companion to Children's Literature provides an indispensable and fascinating reference guide to the world of children's literature. Its 3,500 entries cover every genre from fairy tales to chapbooks; school stories to science fiction; comics to children's hymns. Originally published in 1983, the Companion has been comprehensively revised and updated by Daniel Hahn. Over 900 new entries bring the book right up to date. A whole generation of new authors and illustrators are showcased, with books like Dogger, The Hunger Games, and Twilight making their first appearance. There are articles on developments such as manga, fan fiction, and non-print publishing, and there is additional information on prizes and prizewinners. This accessible A to Z is the first place to look for information about the authors, illustrators, printers, publishers, educationalists, and others who have influenced the development of children's literature, as well as the stories and characters at their centre. Written both to entertain and to instruct, the highly acclaimed Oxford Companion to Children's Literature is a reference work that no one interested in the world of children's books should be without.
Michael Farrell has a reputation as the most adventurous and experimental of contemporary Australian poets, since he continually pushes the boundaries of what our poetry can do. Cocky's Joy is likely to be his breakthrough collection, the one which wins him a wider audience, and part of the reason for this lies in the use it makes of Australian history and popular culture. Farrell was born and raised in rural NSW and as its title suggests, many of the poems in this collection are rooted in the bush, which they present as a surreal wonderland, connected to the world in magical and often hilarious ways. There are love poems too, and gay riffs on such figures as the cowboy, the waiter and the 'romantic woman'. Farrell's experimentalism doesn't prevent him from offering really moving tributes, to parents and lovers, and scenes remembered from the past. In fact, it is precisely his eye for metaphor and the strange combination, for punning and word play, that gives his poetry its humour and energy. Catherine/ designed pages for ads where tiny buffalo/ roamed a celery patch, leaving health warnings/ on the stalks. Why not just use ants? objected/ Heathcliff.
Many poems in this collection explore the intrusions of 'the wild' into daily life, through memories, in illness, and in places that you've lost or left behind. Dougan is interested in the ways in which the past re-enters the present, particularly through the secrets of family life, in all kinds of atavism, and in pockets of wildness in the suburbs and the city which are a source of liveliness and a dark sort of energy. Her poems feature old houses, ruins, revisited places; they focus on the bonds between the generations, between children and adults, humans and animals, and humans and the physical world. The title of the collection refers broadly to these ties, which impose a sense of guardianship on those who are bound by them. In contrast to the wildness they recognise, the poems themselves seek to tread lightly - they aspire to quietness and reticence, to cumulative rather than immediate effects, and to sustaining a relatively natural and unobtrusive voice.
One of a major new Classics series - books that have changed the history of thought, in sumptuous, clothbound hardbacks. Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them.
Prometheus Bound is the starkest and strangest of the classic Greek tragedies, a play in which god and man are presented as radically, irreconcilably at odds. It begins with the shock of hammer blows as the Titan Prometheus is shackled to a rock in the Caucasus. This is his punishment for giving the gift of fire to humankind and for thwarting Zeus's decision to exterminate the human race. Prometheus's pain is unceasing, but he refuses to recant his commitment to humanity, to whom he has also brought the knowledge of writing, mathematics, medicine, and architecture. He hints that he knows how Zeus will be brought low in the future, but when Hermes demands that Prometheus divulge his secret, he refuses and is sent spinning into the abyss by a divine thunderbolt. To whom does humanity look for guidance: to the supreme deity or to the rebel Titan? What law controls the cosmos? Prometheus Bound, one of the great poetic achievements of the ancient world, appears here in a splendid new translation by Joel Agee that does full justice to the harsh and keening music of the original Greek.
Some months before his tragic death in January 1972, John Berryman completed this selection from the whole of his published poetry. He designed it to provide both an introduction to his work and a summary of his poetic career up to the publication of Love and Fame. It reveals clearly that Berryman was one of the most original and important poets of the twentieth century.
The Shakespeare Book is the perfect primer to the works of William Shakespeare, packed with witty illustrations and inspirational quotes. Covering every work, from the comedies of Twelfth Night and As You Like It to the tragedies of Julius Caesar and Hamlet, plus lost plays and less well-known works of poetry. Easy-to-understand graphics and illustrations bring the themes, plots, characters and language of Shakespeare to life. This includes illustrated timelines which offer an at-a-glance summary of the action for each play. With detailed plot summaries and an in-depth analysis of the major characters and themes, this is a brilliant, innovative exploration of the entire canon of Shakespeare plays, sonnets and poetry. Whether you're a Shakespeare scholar or a student of the great Bard, The Shakespeare Book offers a fuller appreciation of his phenomenal talent and lasting legacy.
Shakespeare in London offers a lively and engaging new reading of some of Shakespeare's major work, informed by close attention to the language of his drama. The focus of the book is on Shakespeare's London, how it influenced his drama and how he represents it on stage. Taking readers on an imaginative journey through the city, the book moves both chronologically, from beginning to end of Shakespeare's dramatic career, and also geographically, traversing London from west to east. Each chapter focuses on one play and one key location, drawing out the thematic connections between that place and the drama it underwrites. Plays discussed in detail include Hamlet, Richard II, The Merchant of Venice, The Tempest, King Lear and Romeo and Juliet. Close textual readings accompany the wealth of contextual material, providing a fresh and exciting way into Shakespeare's work.