A rocking, uproarious memoir that tells the story of OzRock as well as one amazing life in music. Fasten your seatbelts for one wild ride!
Welcome to the party that never ends...
When he was 16 he inveigled his way into a Sydney hotel to hang out with the Rolling Stones. From that day on, Richard Clapton knew he was going to be a rock star. It's now almost 50 years since that fateful day -years filled with a lifetime of incredible experiences, outrageous good times and a catalogue of iconic and timeless songs. Through the glory years of rock'n' roll, in cities as varied as London, Berlin, Sydney, Los Angeles and Paris, Richard forged his own career and built up a significant body of work while living, loving and partying with the biggest names in the Australian and international music world.
By his own frank admission, these were years fuelled by prodigious quantities of alcohol and drugs, set against a backdrop of constant recording and touring, of endless partying and wild times. It was to be a rollercoaster ride of euphoric highs and deep, shattering lows.
For 40 years, Richard Clapton has been, above all else, a songwriter-a wry observer of human behaviour and an astute commentator on the Australian condition. His best songs- 'Deep Water', 'The Best Years of Our Lives', 'Goodbye Tiger', 'Glory Road', 'Lucky Country', 'Girls on the Avenue', 'Trust Somebody' and 'Capricorn Dancer'-capture the essence of this country and the meaning of our lives like few others.
In this extraordinary memoir, Richard employs his songwriter's keen powers of observation, portraiture and storytelling to tell the best story of all: the remarkable one of his own life. Outrageous, funny, insightful and poignant, this is the rock memoir to beat them all. In celebration of 40 years of fabulous music and iconic songs, welcome to The Best Years of Our Lives.
Of all the creative industries, the most distinct link between drug use and creativity lies within music. The two elements seem to be intertwined, inseparable; that mythical phrase 'sex, drugs and rock and roll' has been bandied about with a wink and a grin for decades. But is it all smoke and mirrors, or does that cliché ring true for some of our best-known performers?
In this fascinating book, journalist Andrew McMillen talks with Australian musicians about their thoughts on - and experiences with - illicit, prescription and legal drugs. Through a series of in-depth and intimate interviews, he tells the stories of musicians who have bitten into the forbidden fruit and avoided choking. This isn't to say that stories of ruin and redemption are avoided - they're not. These celebrated artists have walked the straight-and-narrow path of alcohol, caffeine, nicotine and prescription medication, as well as the supposedly dark-and-crooked road of cannabis, cocaine, ecstasy, heroin and methamphetamine.
By having conversations about something that's rarely discussed in public, and much less often dealt with honestly, McMillen explores the truths and realities of a contentious topic that isn't going away.
ABBEY'S BOOKSELLER PICK ----- You may have heard of The Bedroom Philosopher. I first heard him on Triple J and was impressed with the wit and accomplished production of his work. His music taps wry humour in the same way as The Flight of the Conchords, being lyrically funny whilst also being musically astute so that it rises above pure novelty song - a very tough thing to pull off. Moreover, he was one of the new breed of bedroom producer/remixers utilising the relatively low-cost technology to produce work of the highest calibre and actually getting it out on the airwaves. He was the one other digital-dabblers looked up to in awe.
And yet the grass is always greener. 'The artistic road is an extremely hard one if you expect to earn a living from it', his grandmother had warned him, he confessed on a recent interview on ABC Radio National.
Read this, have a laugh, have a cry and then get back to your day job. Craig Kirchner
Hilariously honest, Justin Heazlewood covers it all - from starting out to giving up, running a business to burning out, the trappings of fame to the benefits of failure. As well as tapping into his ten years as The Bedroom Philosopher, Justin Heazlewood gleans wisdom and insight from interviews with more than 100 fellow artists including Gotye (Wally De Backer), Clare Bowditch, John Safran, Tony Martin, Amanda Palmer, Christos Tsiolkas, Tim Rogers, Adam Elliot and Benjamin Law.
Part confessional and part rogue self-help book, Funemployed is a landmark title for anyone interested in the making and enjoying of art in Australia.
The long-awaited life story of John Williamson: an Australian icon, a much-loved legend of the music industry and man of the land. The joy after all is in the journey, or being what you really wanna be ...The son of a wheat farmer, John Williamson grew up with an appreciation of the land and all things Australian. His career was kickstarted with a self-proclaimed silly song - 'Old Man Emu' - winning TV's New Faces in 1970, but it was a decade of hard slog before he forged his unique place in our musical history. From his love of the bush ('Mallee Boy') and his outrage at environmental destruction ('Rip Rip Woodchip'), to his pride in the Australian character and spirit ('True Blue'), Williamson has been chronicling the subjects and issues that are close to his heart for more than forty years. He has become the voice of Australia, performing his unofficial anthems at all the major events. In his distinctive Aussie style, John Williamson tells it like it is. He takes us behind the scenes on the road and at home, revealing the tough times, the great times, what drives him and what matters. His passion - for preserving our national character and landscape, and to remain true to himself - is as strong now as it has ever been. This is a journey into the heart and soul of Australia.
Wild Tales by Graham Nash - a classic rock memoir of the legendary Hollies front man and member of Crosby, Stills, Nash & Young. In this candid and riveting autobiography Graham Nash tells it all: the love, the sex, the jealousy, the drugs, and the magical music-making. This is one of the great rock and roll stories: growing up in poverty in postwar Manchester, where Nash founded the Hollies with schoolfriend Allan Clarke and the incredible success that followed, friendships with all the great British bands of the 60s including the Beatles, the Stones and the Kinks, decamping to America and becoming the lover of Joni Mitchell (for whom he wrote 'Our House') and achieving superstardom with David Crosby, Stephen Stills and Neil Young. This book will be adored by Graham Nash fans and takes its rightful place in the pantheon of classic music memoirs alongside Book Dylan's Chronicles, Keith Richards' Life and Neil Young's Waging Heavy Peace.
Lisa Robinson has interviewed the biggest names in music - including Led Zeppelin, the Rolling Stones, John Lennon, Patti Smith, U2, Eminem, Lady Gaga, Jay Z and Kanye West. She visited the teenage Michael Jackson many times at his Encino home. She spent hours talking to John Lennon at his Dakota apartment - and in recording studios just weeks before his murder. She introduced David Bowie to Lou Reed at a private dinner in a Manhattan restaurant, helped the Clash and Elvis Costello get their record deals, was with the Rolling Stones on their jet during a frightening storm, and was mid-flight with Led Zeppelin when their tour manager pulled out a gun. A pioneering female journalist in an exclusive boys' club, Lisa Robinson is a preeminent authority on the personalities and influences that have shaped the music world; she has been recognized as rock jounralism's ultimate insider. A keenly observed and lovingly recounted look back on years spent with countless musicians backstage, after hours and on the road, There Goes Gravity documents a lifetime of riveting stories, told together here for the first time.
By the middle of the 1970s, Bob Dylan's position as the pre-eminent artist of his generation was assured. The 1975 album Blood on the Tracks seemed to prove, finally, that an uncertain age had found its poet. Perverse or driven, Dylan refused the role. By the decade's end, the counter-culture's poster child had embraced conservative, evangelical Christianity. Fans and critics alike were confused; many were aghast. Still the hits kept coming. Then Dylan faltered. His instincts, formerly unerring, deserted him. In the 1980s, what had once appeared unthinkable came to pass: the 'voice of a generation' began to sound irrelevant, a tale told to grandchildren. Yet in the autumn of 1997 something remarkable happened. Having failed to release a single new song in seven long years, Dylan put out the equivalent of two albums in a single package. He called it Time Out of Mind. So began the renaissance, artistic and personal, that culminated in 2012's acclaimed Tempest. In the concluding volume of his groundbreaking study, Ian Bell explores the unparalleled second act in a quintessentially American career. It is a tale of redemption, of an act of creative will against the odds, and of a writer who refused to fade away. Time Out of Mind is the story of the latest, perhaps the last, of the many Bob Dylans. This one might yet turn out to have been the most important of them all.
This is the long-awaited autobiography of one of Britain's best-loved actors, and the star of Only Fools and Horses. Born the son of a Billingsgate market porter at the height of the Second World War, David Jason spent his early life dodging bombs and bullies, both with impish good timing. Giving up on an unloved career as an electrician, he turned his attention to acting and soon, through a natural talent for making people laugh, found himself working with the leading lights of British comedy in the 1960s and '70s: Eric Idle, Michael Palin, Bob Monkhouse and Ronnie Barker. Barker would become a mentor to David, leading to hugely successful stints in Porridge and Open All Hours. It wasn't until 1981, kitted out with a sheepskin jacket, a flat cap, and a clapped-out Reliant Regal, that David found the part that would capture the nation's hearts: the beloved Derek 'Del Boy' Trotter in Only Fools and Horses. Never a one-trick pony, he had an award-winning spell as TV's favourite detective Jack Frost, took a country jaunt as Pop Larkin in the Darling Buds of May, and even voiced a crime-fighting cartoon rodent in the much-loved children's show Danger Mouse. But life hasn't all been so easy: from missing out on a key role in Dad's Army to nearly drowning in a freak diving accident, David has had his fair share of ups and downs, and has lost some of his nearest and dearest along the way. David's is a touching, funny and warm-hearted story, which charts the course of his incredible five decades at the top of the entertainment business. He's been a shopkeeper and a detective inspector, a crime-fighter and a market trader, and he ain't finished yet. As Del Boy would say, it's all cushty.
A searing play about the way in which we try to own our dead, and the way in which they come to own us. A year after the death of their son Jack in an early-morning car crash, Adam and Mary Mansfield are still struggling with what happened. Adam has sold his winery, and his trips to the beach house have become more frequent - anything to avoid Mary's silent suffering. One day he encounters a young woman he used to employ as a cellarhand. June knows her way around a vineyard, and she also knows a lot about Jack. It's a story she needs to share with Adam, the story of his son's final hours. Set above the rocky headlands of the south coast of Western Australia, between forest and sea, Tim Winton's third play untangles a domestic heartbreak that has morphed into mythology, in a landscape inhabited by ghosts.
To celebrate Platform Papers’ tenth anniversary, writer and theatre director Wesley Enoch takes a forensic overview of where the performing arts are going in Australia, why they are no longer seen as integral to a healthy and confident society. He finds the arts community ridden with mistrust, and fearful of those who speak out. Australia, he concludes, is in great need of cultural leadership; of a fresh force to challenge thinking and gather confidence. ‘With the growth of government-led cultural leadership we have seen the voices of the mob, the dissenters and the opposition slowly becoming tamed and included in a sort of official culture’, he says. ‘Government champions the arts more these days than artists do.’ For a solution he looks to the elders of his Indigenous community, where debate is strong and loyalties deep. They are the custodians of our values and our history.
When people think about Marlon Brando, they think of the film star, the hunk and the scandals. Susan L. Mizruchi finds the Brando others have missed: the man who collected four thousand books; the man who rewrote scripts, trimming his lines to make them sharper; the man who consciously used his body and employed the objects around him to create believable characters; the man who used his fame to foster American Indian and civil rights. From Brando's letters, audiotapes and annotated screenplays and books - many never before available - Mizruchi gives us a complex person whose intelligence belies the school dropout. She shows how Brando's embrace of foreign cultures and outsiders led to brilliant performances in unusual roles, fostering empathy on a global scale. In portraying a fuller Brando, Mizruchi portrays a more fascinating man than the one we thought we knew.
Over 40 years ago, a group of five Englishmen - and one wayward American - rewrote the rules of comedy. MONTY PYTHON'S FLYING CIRCUS, an unheralded, previously unseen half-hour show of sketches, hilarities, inanities and animations, first appeared on the BBC late one night in 1969. Its impact has been felt on the world ever since. From its humble beginnings, it blossomed into the most influential movement in modern comedy. THE PYTHONS' AUTOBIOGRAPHY BY THE PYTHONS is a unique insight into arguably the most important comic team of the modern age, lavishly illustrated throughout, with photographs culled from the team's own personal collections. This is the definitive word, in their own words, on all things Pythonesque.
In Shooting 007, beloved cameraman and director of photography Alec Mills, a veteran of seven James Bond movies, tells the inside story of his twenty years of filming cinema's most famous secret agent. Among many humorous and touching anecdotes, Mills reveals how he became an integral part of the Bond family as a young camera operator on 1969's On Her Majesty's Secret Service, how he bore the brunt of his old friend Roger Moore's legendary on-set bantering, and how he rose to become the director of photography during Timothy Dalton's tenure as 007. Mills also looks back on a career that took in Return of the Jedi on film and The Saint on television with wit and affection, and Shooting 007 contains many of his and Eon Productions' unpublished behind-the-scenes photographs compiled over a lifetime of filmmaking. Featuring many of the film industry's biggest names, this book will be a must-have for both the James Bond and British film history aficionado.
Written in an engaging, anecdotal tone, Yvonne Grace gives advice on: getting an agent; the type of writer television is looking for; the tool kit a television writer needs; the writer/script editor relationship; how to structure a storyline; how to write good treatments and outlines; what a long running format teaches writers. Packed full of useful insights, links and information, the book includes interviews with successful television writers working today, pointers on how to work collaboratively in the industry and how to make good contacts.
Music legend Gary Wright reflects on his professional collaboration, friendship, and spiritual journey with quiet Beatle George Harrison, and releases for the first time a song they wrote together. Best known for his multiplatinum hits Dream Weaver and Love is Alive, Gary Wright came to prominence as a singer and songwriter during the golden age of rock in the 1970s. What is not as well known to the public, however, is Wright's spiritual side. At the heart of this memoir is the spiritual conversion and journey that Wright experienced alongside his close friend George Harrison. Until Harrison's death in 2001, the two spent decades together writing songs, eating Indian fare, talking philosophy, and gardening. In addition to featuring lyrics to a never-released song cowritten by Wright and George Harrison in 1971, titled To Discover Yourself, this memoir includes a cache of never-before-seen photos. Also available is a deluxe e-book featuring an audio recording of To Discover Yourself.