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English
Oxford University Press
14 April 2015
A sweet tooth is a powerful thing. Babies everywhere seem to smile when tasting sweetness for the first time, a trait inherited, perhaps, from our ancestors who foraged for sweet foods that were generally safer to eat than their bitter counterparts. But the  science of sweet  is only the beginning of a fascinating story, because it is not basic human need or simple biological impulse that prompts us to decorate elaborate wedding cakes, scoop ice cream into a cone, or drop sugar cubes into coffee. These are matters of culture and aesthetics, of history and society, and we might ask many other questions. Why do sweets feature so prominently in children's literature? When was sugar called a spice? And how did chocolate evolve from an ancient drink to a modern candy bar? The Oxford Companion to Sugar and Sweets explores these questions and more through the collective knowledge of 265 expert contributors, from food historians to chemists, restaurateurs to cookbook writers, neuroscientists to pastry chefs.

Edited by:   , , , , , , , , , , , , ,
Imprint:   Oxford University Press
Country of Publication:   United States
Dimensions:   Height: 260mm,  Width: 187mm,  Spine: 51mm
Weight:   1.682kg
ISBN:   9780199313396
ISBN 10:   0199313393
Series:   Oxford Companions
Pages:   944
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active
Preface (by famed anthropologist Sidney Mintz) ; Introduction (by Editor-in-Chief Darra Goldstein) ; Topical Outline of Entries ; The Oxford Companion to Sugar and Sweets ; Appendix: Films ; Appendix: Museums ; Appendix: Pastry Shops ; Appendix: Songs ; Directory of Contributors ; Index

Darra Goldstein is the Willcox and Harriet Adsit Professor of Russian at Williams College, having earned her Ph.D. in Slavic Languages and Literatures from Stanford University. She combines her love of literature with a passion for food studies, a field she helped pioneer by founding Gastronomica: The Journal of Food and Culture, which has been called a culinary New Yorker for its incorporation of photography, poetry, and art alongside thoughtful articles on all aspects of the foods we eat. She serves as the Series Editor for California Studies in Food and Culture (UCAL Press) and the Food Editor for Russian Life magazine. Goldstein is also a prolific author who has written or edited thirteen books, including four award-winning cookbooks.

Reviews for The Oxford Companion to Sugar and Sweets

a 900-page sugar bible Dagens Nyheter 265 experts, including food historians, chemists, restaurateurs, cookbook writers and neuroscientists, explore the idea of the sweet from a multidisciplinary perspective. The Companion abounds with... curious theories and facts... Entertaining historical details sparkle. Times Literary Supplement The Companion abounds with such curious theories and facts. Who knew, for example, that the familiar plastic flying toy known as the frisbee was named after the American bakery manager William Russell Frisbee, whose popular flat pies were sold in tin plates with his name imprinted in bold letter on the base? ... Such entertaining historical details sparkle in many of the entries. Anna Katharina Schaffner, The Times Literary Supplement magnificent Literary Review, Jonathan Beckman A comprehensive reference work on the idea of the sweet, this is more than just a collection of sweets, it's an exploration into the human fondness for all things sweet and how it has shaped our language, art and cooking throughout history. Fine Dining Lovers sheer brilliance! AGA magazine Happy hours can be spent browsing, leaping around, tasting or gorging. From convent sweets, to dental caries, to sexual innuendo, theres more than just gobstoppers. It's impressive stuff. Petits Propos Culinaires Sweets have a special hold on our senses. Whether it's taffy or turnovers, sandesh or sherbet, maple sugar or macarons, our enjoyment of sweets is informed by traditions and memories. This encyclopedia explores sweet things globally and across time, from the honeycombs our ancestors gathered to the crackly nougatine of today's experimental chefs. But its greatest achievement is that, in over 900 intellectually nourishing pages, it never neglects the senses. Like the medieval subtleties that entertained royal diners with elaborate conceits, this book is playful, surprising, and always-captivating. Heston Blumenthal


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