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Sophie Hannah is a bestselling crime fiction writer and poet. Her psychological thrillers Little Face, Hurting Distance, The Point of Rescue, The Other Half Lives, A Room Swept White, Lasting Damage, Kind of Cruel,The Carrier and The Telling Error have received critical acclaim and have been translated into more than twenty languages. The Carrier won the Specsavers National Book Award for Crime Novel of the Year 2013. Sophie's books have been listed for multiple other industry awards. Little Face was longlisted for the 2007 Theakston's Old Peculier Crime Novel of the Year Award and the IMPAC Award, Hurting Distance was longlisted for the 2008 Theakston's Old Peculier Crime Novel of the Year Award, and The Other Half Lives was shortlisted for the Independent Booksellers' Book of the Year Award and a Barry Award. The Point of Rescue and The Other Half Lives have been adapted for television as Case Sensitive, starring Olivia Williams and Darren Boyd. Sophie is also the author of The Monogram Murders, the first Hercule Poirot mystery to be written and published since Agatha Christie's death and approved by her estate. Sophie's fifth collection of poetry, Pessimism for Beginners, was the Poetry Book Society's Winter Choice in 2007 and was shortlisted for the TS Eliot Award, and in 2004 she won first prize in the Daphne Du Maurier Festival Short Story Competition for her psychological suspense story The Octopus Nest. Sophie's poetry is studied at GCSE, A-level and degree level across the UK. From 1997 to 1999 she was Fellow Commoner in Creative Arts at Trinity College, Cambridge, and between 1999 and 2001 she was a fellow of Wolfson College, Oxford. She is currently a Fellow Commoner at Lucy Cavendish College, Cambridge. She lives in Cambridge with her husband and two children. Visit Sophie's website, www.sophiehannah.com, follow her on Twitter at twitter.com/sophiehannahCB1, and find her on Facebook at www.facebook.com/sophiehannahauthor.
Imaginative, quirky, inventive and bleakly funny . . . The Narrow Bed confirms Hannah's place as the mistress of postmodern crime fiction. * Independent * Hannah's mastery of plot and character are simply peerless. * Heat * As an ever-growing legion of crime writers fights for the attention of readers, it's comforting to settle down in the company of someone utterly reliable. Sophie Hannah rarely puts a foot wrong in her complex psychological thrillers, and this latest book bristles with the acutely observed characterisation that is the hallmark of her work. * Financial Times * Hugely entertaining, full of uncomfortable truths * London Evening Standard * A madly enjoyable novel that takes great pleasure in deconstructing as many narrative tropes as possible. * Metro * Sophie Hannah is genuinely Christie's heir. Her crime novels have a deep vein of surrealism; not just in the ingenious plotting but in the seething menace lying behind the everyday. The Narrow Bed . . . is exquisitely horrible. As with previous books, much of the enjoyment here is in the psychological acuity. Although she is praised for the twistiness of her plots, Hannah's real gift is in revealing the contorted and convoluted nature of the human heart. * Scotsman * The solution to the crimes is one of her most ingenious and also adroitly contributes to a current debate; though to say which would be to spoil the fine Agatha Christie-style denouement. * Sunday Times * THE NARROW BED introduces us to Sophie Hannah's possibly most entertaining character yet . . . the central plot is eventually explained with Hannah's powers of outrageous cunning at full blast. * Sunday Express *
