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Kristen Whissel is Professor of Film and Media at the University of California, Berkeley. She is the author of Picturing American Modernity: Traffic, Technology, and the Silent Cinema, also published by Duke University Press.
Spectacular Digital Effects is a signal contribution to studies of the impact of digital technologies on narrative cinema. It is a wonderful book, one that taught me new ways of thinking about some very familiar objects. -- Scott Bukatman, author of Matters of Gravity: Special Effects and Supermen in the 20th Century In this impressive, original book, Kristen Whissel engages with notions of films' spectacular digital effects in ways that go well beyond existing critical templates. She makes a much needed contribution by demonstrating that spectacular digital effects enhance films not only through the thrill of spectacle itself but also by emphasizing core themes and bringing out key moments in the narratives. Whissel's concept of 'digital effects emblems' is an impressive theoretical construction with a great deal of heuristic value, and her writing is as impressive as her analysis. -- Stephen Prince, author of Digital Visual Effects in Cinema: The Seduction of Reality The narrative is engaging, and Whissel's analysis of the effects emblem makes a valuable contribution to the scholarly literature of the field... Highly recommended. Upper-division undergraduates through faculty. -- B. H McMillin Choice Spectacular Digital Effects seeks to redeem oft-maligned computer-generated imagery in blockbuster cinema, arguing that the spectacle of digital effects enhances rather than detracts from the narrative. This aim is a much-needed move for balance in the field of media studies, and the conceptual framework, based in the historical study of emblems used in the sixteenth, seventeenth, and eighteenth centuries, is a new and interesting way to think through digital effects. -- Laura Felschow Velvet Light Trap [B]y offering a focused analysis of the allegorical potential of effects sequences, Spectacular Digital Effects does more than expand a field that has recently received a great deal of attention in film and media studies. The book makes a valuable contribution to developing a new conversation about the complexities of spectacular effects in the cinema. -- Colin Williamson Historical Journal of Film, Radio and Television
