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English
Cambridge University Press
31 May 2012
Peter Williams approaches afresh the life and music of arguably the most studied of all composers, interpreting both Bach's life by deconstructing his original obituary in the light of more recent information and his music by evaluating his priorities and irrepressible creative energy. How, even though belonging to musical families on both his parents' sides, did he come to possess so bewitching a sense of rhythm and melody and a mastery of harmony that established nothing less than a norm in Western culture? In considering that the works of a composer are his biography, the book's title A Life in Music means both a life spent making music and one revealed in the music as we know it. A distinguished scholar and performer, Williams re-examines Bach's life as an orphan and family man, as an extraordinarily gifted composer and player and as an ambitious artist who never suffered fools gladly.
By:  
Imprint:   Cambridge University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 224mm,  Width: 150mm,  Spine: 20mm
Weight:   680g
ISBN:   9780521306836
ISBN 10:   0521306833
Pages:   418
Publication Date:  
Audience:   General/trade ,  Professional and scholarly ,  ELT Advanced ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Peter Williams held the first Chair in Performance Practice in a British university (Edinburgh), where he was also first Director of the Russell Collection of Harpsichords and latterly Dean of Music, and the first Arts and Sciences Distinguished Chair at Duke University, North Carolina. His books include The European Organ (1966), Bach: The Goldberg Variations (Cambridge University Press, 2001), Figured Bass Accompaniment (1970), The Organ in Western Culture, 750-1250 (Cambridge University Press, 1993), The Chromatic Fourth During Four Centuries of Music (1998) and The Organ Music of J. S. Bach (Cambridge University Press, second edition 2003).

Reviews for J. S. Bach: A Life in Music

'Peter Williams is a master of putting question marks where they belong. He is wise enough to admit that definite answers are rarely possible. Nevertheless, guided by the 1754 Obituary, he gives splendid food for thought with his penetrating insights and truly erudite suggestions.' Gustav Leonhardt Review of the hardback: '… its freshness of approach and practical knowledge of the music are enthralling.' The Herald '… it is in this combination of musicology, common-sense psychology and an almost Shakespearean sense of drama that I find Williams at his best.' Newsletter of the American Bach Society Review of the hardback: '… Williams is a writer both erudite and compelling … this is a biography unafraid to raise awkward questions and make a gallant attempt to answer them … William's study, a substantial read, fills an important place in English language Bach literature.' BBC Music Magazine Review of the hardback: 'Peter Williams' observations in this … well-written volume add an imaginative and fresh dimension that will keep the 'little grey cells' charged … [This] volume could be a useful 'precursor' and we are the beneficiaries as a result.' The Journal of the London Bach Society Review of the hardback: 'Williams's book is dense and challenging … a rewarding read, certain to enthral equally any lover of Bach's music and admirer of the techniques of forensic enquiry.' Musical Times '… a biography that inspires engagement …' Choir and Organ


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