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Hans Fallada was one of the best-known German writers of the twentieth century. Born on 21 July 1893 in Greifswald as Rudolf Wilhelm Adolf Ditzen, he took his pen name from a Brothers Grimm fairy tale. His other most famous works include the novels Little Man, What Now?, The Drinker, A Small Circus and the bestselling Alone in Berlin. Fallada died from an overdose of morphine on 5 February 1947 in Berlin.
A powerful portrayal of the devastating effects of the first world war on a family and a country ... The project went through a tortuous journey, with rewrites ordered by Joseph Goebbels, Hitler's propaganda chief, which have been taken out of the new edition ... this new edition is as close as possible to Fallada's original Observer Fallada captures the small tragedies of family life, the loss of dignity caused by unemployment, squalid housing and the misery of seeing civilized values destroyed. This anti-war book, censored by Goebbels in the Thirties, is a gripping addition to modern German history Daily Mail There is a serious cause for celebration: one of the finest German-language works of the 20th century is now available as it was intended to be read ... A vivid, atmospheric portrait of Berlin ... Fallada's literary genius rests not only in how he can sustain a multithreaded narrative but in how he, apparently effortlessly, develops characters through chronicling their actions ... the book triumphs as a study of ordinary Berliners faced with dire adversity; Fallada celebrates them repeatedly, their wariness, their humour, their toughness, their blunt kindness and, above all, their conversation ... This remarkable work, now complete after 76 years, could well be one of the finest novels any of us will ever read. Hans Fallada really was that most rare creature, a born novelist who was also a witness Irish Times A powerful novel ... this new version is something of a publishing coup as it is the first time we have the novel in its entirety in English ... Iron Gustav acutely highlights the chequered fortunes of the ordinary 'little man' against the larger picture of Germany's moral and economic breakdown ... [this is] a saga with the same reach and depth as Thomas Mann's Buddenbrooks ... a chronicle of Berlin in those turbulent early decades of the 20th century. Key events appear like milestones: war, Versailles, lawless street-fighting, hyperinflation, Weimar hedonism and the first dark shoots of Nazism ... This is a social history writ large and mercifully free of sanctimonious preaching or soft-focus distortions ... Fallada's voice is as beguilingly lucid as ever, his images clear to the point of stark, his blighted and resilient Berliners ringing astoundingly true National
