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Over twenty specialist contributors include Noit Banai, Lecturer of Visual and Critical Studies at Tufts University, School of the Museum of Fine Arts, Boston Gauvin Alexander Bailey, Professor and Bader Chair in Southern Baroque Art at Queen's University, Kingston, Ontario Lee Beard, British Academy Post-Doctoral Research Fellow at the Courtauld Institute of Art, London Lucy Bowditch, Associate Professor of Art History at the College of Saint Rose in Albany, New York Olga Goriunova, Assistant Professor in the Centre for Interdisciplinary Methodologies at the University of Warwick, Coventry Katie Hill, Director of the Office of Contemporary Chinese Art and consultant lecturer at Sotheby's Institute of Art Monica Kjellman-Chapin, Associate Professor of Art History at Emporia State University, Kansas Lloyd Laing, Senior Lecturer Emeritus in Archaeology, University of Nottingham Caroline Levitt, Visiting Lecturer at the Courtauld Institute of Art, London Matthew McKelway, Associate Professor of Japanese Art History at Columbia University, New York Jeffrey Moser, Assistant Professor of East Asian Art History at McGill University, Montreal Stella Paul, formerly Educator-in-Charge of Exhibitions and Communication, Metropolitan Museum of Art, New York Alistair Rider, Lecturer in Art History at the University of St Andrews, Scotland Robert Shane, Assistant Professor of Art History at the College of Saint Rose in Albany, New York Sarah Symmons, Reader Emeritus in Art History and Theory, University of Essex/p> Elsje van Kessel, Lecturer in Art History at the University of St Andrews, Scotland Alicia Volk, Associate Professor of Japanese Art History at the University of Maryland
"""Beautifully produced... An absorbing and enlightening gallop through art. The careful balance of digestible chunks of information with beautiful images makes this equally rewarding as a dip-into coffee table book or a cover to cover read.""—Royal Academy of Arts Magazine ""Like Theseus’s string guiding him the Minotaur’s labyrinth, Art in Time leads the reader through the most important styles, schools and movements from art history, and how each movement built upon its predecessor. Understand how the disobediences of the day impacted on the world of art.""—Bridget Arsenault, Vanity Fair ""This is a highly informative book, an excellent reference guide.""—San Diego Book Review"
